Black Sabbath Albums from Worst to Best - from Stereogum

A good friend of mine from work (the same guy who turned me onto Ghost), penned an insanely comprehensive overview of the history and significance of Black Sabbath, complete with an album-by-album analysis from worst to best.

I don't agree with all of his ordering choices - I think the new album, called '13,' is much better than where he ranks it - but I think in general he is right on.

Until I can get off my ass and review the new album myself, enjoy these literal weeks of work he put into it here: Black Sabbath Albums From Worst To Best.

First New Sabbath Single Coming Friday

I am getting truly fired up for this new Ozzy-led Sabbath album due to the handful of "In the Studio" videos the band has been releasing.

The new album, called 13, is set for release on June 10. The first single, God is Dead?, is set for release on April 19 (Friday). And in a move that some see as controversial but that I see as just a necessary evil in this day and age of record company languish, the song The End Of The Beginning will debut in the close of TV show CSI next month. I imagine in edited form, as it's an eight minute track!

Again, it's impossible to get a feel for a whole album from little snips, but I am hearing a serious old school Sabbath vibe in these video clips.

13 tracklist
1. End Of The Beginning (8:07)
2. God Is Dead? (8:54)
3. Loner (5:06)
4. Zeitgeist (4:28)
5. Age Of Reason (7:02)
6. Live Forever (4:49)
7. Damaged Soul (7:43)
8. Dear Father (7:06)

Black Sabbath Release Song Snippet and Artwork from Upcoming Album

Black Sabbath is releasing a new album on June 11 - the first with Ozzy since 1978's Never Say Die. Bill Ward is not drumming on the album (called '13') so it's not a full reunion of the original lineup. But it's still an interesting idea, if not one rife with risk

The band resisted doing this for ages, for fear of not being able to live up to its legacy. A legit concern.

The band's producer on this album, Rick Rubin, forced the Sabs to listen to all of its old albums and said - you are going to make an album like these. Balls, but I guess that is why he gets the big bucks.

Well, based on this snip, he succeeded. It sounds like it was pulled off of Sabbath Bloody Sabbath. It's impossible to judge a whole album by a 30 second sample, but this sure gets me fired up to check it out.

What do you think?

Sabbath Soap Opera Maybe Not As Frothy As We Think

Black Sabbath bassist Geezer Butler finally broke silence on the Bill Ward drama, basically saying that the other guys in the band were unaware of Ward's displeasure with the proposed contract until Ward had gone public with it:

Geezer posted to his website:

“None of us knew how Tony was going to respond to his intensive chemotherapy and radiotherapy. Ozzy and myself flew to England to be with Tony, and on his ‘good’ days, we’d meet at his home studio and put ideas together for the upcoming album, all sitting down together, no drummer involved, just three of us quietly putting together ideas. We thought when we had enough songs together for a full band rehearsal, we’d move back to LA and put the whole thing together with Bill.

“To our surprise, Bill issued a statement on his site saying he’d been offered an un-signable contract. He hadn’t told any one of us he was having contractual problems, and frankly those things are worked out between our representatives, and never between the four of us – let alone in public.”

Check out the post for all the details. Nice to hear Geezer's side because up until yesterday Sabbath looked like absolute assholes, even wiping Ward's image off the band's website.

According to ClassicRock.com, that was at Ward's request! D'oh!

In the meantime, the band played a warm-up show in Birmingham this weekend for 3,000 lucky motherfuckers.

Dig this setlist:
Into The Void
Under The Sun
Snowblind
War Pigs
Wheels of Confusion
Electric Funeral
Black Sabbath
The Wizard
Behind The Wall of Sleep
NIB
Fairies Wear Boots
Tomorrow’s Dream
Sweet Leaf
Symptom of The Universe/Drum Solo
Iron Man
Dirty Women
Children of The Grave
ENCORE:
Sabbath Bloody Sabbath/Paranoid

Nice to see Iommi is doing well enough to play a gig and to go through what must have been a lot of rehearsing to pull it off. Reviews have been positive and here is a video:



I think Ozzy sounds out of key, and I do miss Ward here. I was lucky enough to catch the original four on Ozzfest with Iron Maiden a few years ago. And even though Ozzy sounded like crap then too, it was cool to see the original band.

What is semi-exciting about this is the notion of a new album, and the fact that the band is digging deeper into its Ozzy era albums on the setlist. But I doubt I would go see this show if it came to my town. Not without Ward and even then, not sure.

But you know who I really miss here? Ronnie James Dio.

Black Sabbath Erase Bill Ward From History

This is such bullshit. For anyone not following the latest parade of insanity in the Black Sabbath camp, here is a re-cap:

--Tony Iommi, Ozzy Osbourne, Geezer Butler, Bill Ward announce that the original lineup of Sabbath is re-forming to record a new album and do a world tour
--Tony Iommi diagnosed with cancer
--Band moves recording sessions to the UK to accommodate Iommi's treatment
--Drummer Bill Ward makes a statement to fans that his bags are packed but that he is not going to the UK until he is presented with a 'signable' contract
--No comment from Black Sabbath except to say they wish he was there but they are carrying on without him
--Sabbath tour re-named Ozzy Osbourne and friends
--Handful of actual Sabbath dates announced
--Bill Ward this week verifying he is not taking part in any of the Sabbath dates and the door is closed - he is not in the Sabbath reunion at all, nor will he be in the future

Today's bullet point? Sabbath has removed all images of Ward from every single photo on the band's website.

OK up to this point, I can chalk it up as a classic contractual dispute, where Ward wanted a certain amount of cash but Sharon Osb...I mean the band did not agree to the figure. Ward went rogue by taking it to the fans.

But Sabbath retaliating by taking his photo off the Sabbath website? That is utter bullshit. This is exactly like when Sharon Osbourne replaced the original drum and bass tracks from Ozzy's first two solo albums because those musicians had sued Ozzy for royalties.

Or like when Van Halen airbrushed Michael Anthony off of its website.

You can't fuck with history, people. The fans don't like it and it will do nothing but tarnish your legacy. This is a dark, dark moment in Sabbath's history. You'd think that with Iommi fighting cancer, they'd grow up and work this shit out.

Here is a screen capture of the website gallery page this morning:

Pathetic.

Bill Ward Rants About Sabbath Contract, May Not Be Involved With Reunion

As Shakespeare wrote, first thing, let's kill all the lawyers. Ha ha ha. But not so fast.

Sabbath drummer Bill Ward has posted a very public decree on his website that he is not going to be part of the Sabbath reunion until he gets a good deal.

At first it seems petty but who knows what Sharon Osbourne has put under his nose? Remember how Michael Anthony had to sign his rights away to all future Van Halen royalties when he signed up to do the Van Hagar tour?

For all we know, Ward is being presented with something equally bogus. Or he just isn't going to get paid enough, or as much as the other guys. We don't know.

What I do know is, they better sort it out. Iommi has cancer for God's sake. Bury the hatchet here, get Ward some reasonable deal and get on with it while you can.

Here is some of Ward's post:

At this time, I would love nothing more than to be able to proceed with the Black Sabbath album and tour. However, I am unable to continue unless a “signable” contract is drawn up; a contract that reflects some dignity and respect toward me as an original member of the band.

...Let me say that although this has put me in some kind of holding pattern, I am packed and ready to leave the U.S. for England. More importantly, I definitely want to play on the album, and I definitely want to tour with Black Sabbath.

...The place I’m in feels lousy and lonely because as much as I want to play and participate, I also have to stand for something and not sign on. If I sign as-is, I stand to lose my rights, dignity and respectability as a rock musician.

...If I’m replaced, I have to face you, the beloved Sabbath fans. I hope you will not hold me responsible for the failure of an original Black Sabbath lineup as promoted. Without fault finding, I want to assure everyone that my loyalty to Sabbath is intact.

...My position is not greed-driven. I’m not holding out for a “big piece” of the action (money) like some kind of blackmail deal. I’d like something that recognizes and is reflective of my contributions to the band, including the reunions that started fourteen years ago. After the last tour I vowed to never again sign on to an unreasonable contract. I want a contract that shows some respect to me and my family, a contract that will honor all that I’ve brought to Black Sabbath since its beginning.

Dang - OK now let's get this sorted out, people...

Book Review - Tony Iommi - Iron Man

I have been meaning to post a review of Tony Iommi's autobiography Iron Man for a while now. I read it in November, right after Ace Frehley's book, which I did review. But the Iommi book got away from me.

Many people beat me to it, including my friend and co-worker Justin Norton, who reviewed the book for the Invisible Oranges website.

I also made the mistake of actually reading Justin's review, which sealed the deal that I would never write my own, because I agreed with 95 percent of his review and mine would be a copy.

So I asked Justin if I could just re-post his (lazy, I know), so I am doing so. But first let me say that I enjoyed the book and learned an awful lot about Iommi. The story about how he crafted the prosthetic fingertips after his factory injury is fascinating. In fact the detail in which he describes what he has to do to this day to keep his fingers in shape for playing is really amazing.

Overall the book is entertaining but a little dry. The stories of how they used to haze Bill Ward are pretty awesome. The Born Again era is well-documented, but the reunion with Dio is almost an afterthought despite the great success of those last few years.

Anyway, if you dig Sabbath, get the book. Oh and be ready to want to break out your old Sabbath LPs and really dig into them. I was inspired to do so and now feel that Sabbath Bloody Sabbath is my favorite Ozzy-era album by far.

Here is Justin's review, also posted at Invisible Oranges. Go there to read the comments - they are interesting.

Oh, and Thanks Justin for letting me steal your work.

-------------------------------
Iron Man: My Journey Through Heaven and Hell With Black Sabbath By Tony Iommi (with T.J. Lammers)

“My role was to come up with the music, with the riffs,” Tony Iommi writes early on in his memoir Iron Man: My Journey Through Heaven And Hell With Black Sabbath. “That probably stopped the others from writing music. If I didn’t come up with anything, we wouldn’t do anything.” Iommi says it in such a deadpan voice that you’d think he was talking about a day in a Birmingham plant rather than creating a genre of music that’s been around for nearly a half-century.

Considering how circumspect and low-key Iommi has been despite his achievements, it’s not a surprise that writing the building blocks of heavy metal seems like another day at work. Iron Man, co-written with T.J. Lammers, does a good job of telling Iommi’s story from Birmingham troublemaker and novice gangbanger to rock legend. Iommi’s bandmate Ozzy Osbourne has long been over-covered in print and on television; in the past two years there’s been an Ozzy autobiography, a book of humorous medical advice and a documentary helmed by his son, Jack. During Ozzy’s peak popularity in the early ’00s there were enough books on the Osbournes to fill a small shelf. Part of this is unsurprising; Ozzy’s antics and his public persona beg for stories and tabloid coverage. Meanwhile Iommi – the man who created the musical universe that propelled Ozzy to stardom – spoke through music. Who needs words when you wrote the riff for “Paranoid”?

Nonetheless, there’s been an unrelenting curiosity about Iommi’s past because time has proven him to be the cornerstone of metal. While Ozzy courts television cameras, Iommi hides behind sunglasses and often painfully generic interviews. Iron Man does a good job of answering questions. Iommi takes us back to his earliest years, when he played with also-rans like The Rockin’ Chevrolets and famously crafted part of a finger after an accident to continue playing guitar, all the way to recent passing of Ronnie James Dio.

Iommi found his muse with Sabbath; he quickly took to the road, and never stopped. The tour stories are hilarious and often horrifying; how Ozzy showed up for an early tour with just one shirt and a pair of jeans; how Iommi and one-time manager Patrick Meehan thought a wasted groupie was dead and considered throwing her off a balcony before she woke up, and how drummer Bill Ward was nearly killed when he was set on fire as a joke.

There are a number of interesting detours, including Iommi’s revelation that he experimented with astral projection but today can’t “leave his body”. Along the way there are worldwide travels; countless lines of cocaine – they really were snowblind – and musical partnerships with unlikely collaborators like Body Count’s Ernie C. Iron Man offers insights into many relationships, including Iommi’s close friendship with Led Zeppelin drummer John Bonham. Iommi’s relationship with Lita Ford gets a bit of a brush off; perhaps he views it as insignificant in retrospect.

There are no huge revelations or exposés in Iron Man, and that’s what makes it a strong record of Iommi’s life. Despite fame, riches and influence, Iommi never views himself as more than a talented and determined English guy who wanted to make music. Iron Man is a story about the power of creativity paired with drive and, ultimately, about a life well-lived.

By Justin M. Norton

PS - Justin turned me on to the band Ghost and I will be reviewing their tremendous new album soon. And no, I won't be reading Justin's first!!!!

Tony Iommi Has Cancer

Reuters is reporting that Tony Iommi has been diagnosed with early stages of lymphoma.

Iommi's website also backs this up, saying "With the news that Black Sabbath’s Tony Iommi has been diagnosed with the early stages of lymphoma, his bandmates would like everyone to send positive vibes to the guitarist at this time.

Iommi is currently working with his doctors to establish the best treatment plan--the “IRON MAN” of Rock & Roll remains upbeat and determined to make a full and successful recovery."

This is terrible news, and who can avoid thinking of Iommi's band mate Ronnie James Dio dying from cancer in May 2010. The difference is, Dio's cancer was not detected until it was well-along.

Rolling Stone posted an article this morning as well, saying:

Two months ago the original lineup of Black Sabbath announced plans to record their first album of new material since 1978's Never Say Die! with producer Rick Rubin. They had been working in Los Angeles, but Iommi's diagnosis has caused them to move recording over to England.

Black Sabbath are also scheduled to kick off a world tour May 18th in Moscow. It's unclear whether or not Iommi's treatment will have any impact on these plans. The group hasn't toured since 2005, though the Ronnie James Dio-led lineup of Black Sabbath toured extensively from 2007 through Dio's death from stomach cancer in 2010.

Cancer is a bitch and reared its head in a very personal way for me in 2010. I had three people close to me pass of it (plus of course Steve Jobs, a high-profile victim). Let's pull our prayers together not only for Iommi and all the other cancer sufferers, but that a CURE can be found and cancer can be made a footnote in history, like polio.

Sabbath Reunion with Ozzy - Terrible Idea

No one I know was really shocked to hear the news last Friday that Ozzy is getting back together with the rest of Sabbath for a 2012 tour and yes even a new album -- the first album since 1978's Never Say Die. It was the worst kept secret of the month, and something about the Spinal Tap-ish announcement on 11-11-11 seemed appropriate.

The response has been generally positive from what I have seen and people seem genuinely supportive. Me? I think this idea sucks. Ozzy jumped the shark 15 - 20 years ago and I guarantee the new album will be a piece of crap and the tour will descend into Sabbath playing the same ten songs they always play with Ozzy.

You want proof? See this Ozzfest show from 1999. You think Ozzy is going sound any better with these guys 13 years later? Dream on.
 

Contrast that with the STELLAR Dio reunion and Iommi and crew should have just gone out on a high note.
  Call me a curmudgeonly old fart but I dunno...

Happy Birthday Ian Gillan

Deep Purple vocalist Ian Gillan turns 65 today - wow, 65! I have loved Purple since I first heard them back in high school. I recall heading to the used record store (Streetlight Records in San Jose, California), coming home with In Rock, Fireball, Machine Head and of course Live In Japan.

I was ultra fired up when the Mark IV version reunited in the 80s and put out the fantastic Perfect Strangers album and the pretty good House of the Blue Light follow up. I saw both supporting tours and was blown away each time.

Back in the 80s, Gillan had just wrapped up his short stint with Sabbath on the Born Again album and tour. I did not see that tour but that crazy album still holds a place in my metal heart. It's when the band started to jump the shark but Gillan's screech went over pretty well and who can argue the intensity of Zero the Hero, Trashed and the title track?

On those Purple tours, I could tell Gillan's voice was starting to give him problems. After Child In Time, he'd take a break while the guys did an instrumental, and he coughed a fair amount onstage. I am pretty sure he has not sung that song in years.

I was also stoked to learn Gillan played the role of Jesus on the studio LP of Jesus Christ Superstar prior to the movie and Ted Neeley's still-chugging-along-as-a-65-year-old-Jesus run at the role.

Anyway, what a great career and it's still going! Gillan just told VH1 Radio: “I think time, obviously, catches up with everyone, but it’s certainly not something we’re planning at the moment, everyone’s in pretty good shape. I don’t think we specifically try hard. We all had a pretty healthy life.”

Here's a nugget from back in the day. Happy Birthday Ian!

Child In Time:

RIP Ronnie James Dio

Sad, sad Sunday. From Wendy Dio:

Today my heart is broken, Ronnie passed away at 7:45am 16th May. Many, many friends and family were able to say their private good-byes before he peacefully passed away. Ronnie knew how much he was loved by all. We so appreciate the love and support that you have all given us. Please give us a few days of privacy to deal with this terrible loss. Please know he loved you all and his music will live on forever.

Total bummer and a great loss. I will post some personal thoughts tomorrow night. Come back and mourn with me.

Iommi and Gillan - Born Again?

One of my secret favorite albums is Black Sabbath Born Again, a very weird version of Sabbath with Deep Purple's Ian Gillan singing. All parties involved admit is was an odd match that didn't quite work out.

However, bootlegs from that tour show that Gillan's piercing shriek worked pretty well for stuff like Iron Man and Heaven and Hell. It's worth listening to -- once.

The album is pretty good too and I'd say it would be fairly classic if it didn't SOUND so shitty. Not sure who produced it by suffice it to say they were going deaf. The guitars and drums are tinny and processed. There are good songs on it, though - the title track, Zero The Hero, Trashed and Keep it Warm are pretty good.

Anyway, I was shocked to see that Gillan and Iommi may work together again soon. According to the Eddie Trunk Web site, Iommi said:

"Ian was at [my place] a few weeks back, and we put a couple of tracks down, just to try and raise some money for Armenia. We raised some money 20 years ago and we wanted to do it again, to be able to buy stuff.

We went over a few months ago because they gave us an Order Of Honor from the president and so Ian and I went over and Pat Cash came. They showed us what the money had bought. They showed us this old music school; it was freezing and the kids had no instruments so we bought them some new instruments — drums and guitars — and we want to build a new school for the kids.

We're going to do a few songs and, hopefully, we can raise the money to afford to buy them a new school. The plans are quite open at the moment.

We've talked about doing a couple of shows out there, but it's about working round what we are both doing — because we [Heaven & Hell] hope touring will start again soon."

Call me interested! In the meantime, feast your eyes and ears on this:

Ozzy the Dumb Ass Sues Tony Iommi

This has Sharon Osbourne written all over it. According to the Associated Press, Ozzy is suing Tony Iommi, who owns the Black Sabbath name, for 50 percent ownership of same name.

Check out Sharon's full statement:

“It is with great regret that I had to resort to legal action against my long term partner, Tony Iommi, but after three years of trying to resolve this issue amicably, I feel I have no other recourse. As of the mid-1990’s, after constant and numerous changes in band members, the brand of "Black Sabbath" was literally in the toilet and Tony Iommi (touring under the name Black Sabbath) was reduced to performing in clubs. Since 1997 when Geezer, Bill and myself rejoined the band, Black Sabbath has returned to its former glory as we headlined sold-out arenas and amphitheatres playing to upwards of 50,000 people at each show around the world. We worked collectively to restore credibility and bring dignity back to the name “Black Sabbath” which lead to the band being inducted into the UK and US Rock & Roll Hall of Fames in 2005 and 2006, respectively. Throughout the last 12 years, it was my management representatives who oversaw the marketing and quality control of the “Black Sabbath” brand through OZZFEST, touring, merchandising and album reissues. The name "Black Sabbath" now has a worldwide prestige and merchandising value that it would not have had by continuing on the road it was on prior to the 1997 reunion tour. Tony, I am so sorry it’s had to get to this point by me having to take this action against you. I don’t have the right to speak for Geezer and Bill, but I feel that morally and ethically the trademark should be owned by the four of us equally. I hope that by me taking this first step that it will ultimately end up that way. We’ve all worked too hard and long in our careers to allow you to sell merchandise that features all our faces, old Black Sabbath album covers and band logos, and then you tell us that you own the copyright. We’re all in our 60’s now. The Black Sabbath legacy should live on long after we have all gone. Please do the right thing.”

Ooops, I meant Ozzy's statement.

Here is my take - I agree that Ozzy injected new life into the band when the original four Sabbath members reunited. I am sure he was paid very well on those tours. But here's the thing. I saw Sabbath with Ozzy a few years ago and they sucked. Well, Ozzy sucked. I was even impressed with Bill Ward - but Ozzy couldn't hack it. They did the same old songs they had been doing the last bunch of tours. Ozzy's voice went out and he threw the mic to the ground and stormed offstage. It was sad, actually.

Fast forward a few years. The band is touring with Dio, who is singing better than ever. Not only did they write three strong songs for a Dio retrospective CD set, they have a brand new album, which is not the greatest but at least they have a brand new album! According to Iommi, had they been trying to do an album with Ozzy, they wouldn't even have written the first song yet.

The new album, which goes by the name Heaven and Hell, by the way - not Black Sabbath - debuted at number 8 on the Billboard charts.

So of course Sharon is bitter and wants a piece of the pie. From reading Rudy Sarzo's book, she has always been this way, trying to get Ozzy to put out Speak of the Devil - a live album of Sabbath covers - before the real Sabbath could put out the Dio-fronted Live Evil.

Just get back to your reality shows, Sharon, and quit trying to roll Ozzy out on more tours. Let the man rest. And give credit where credit is due. I contend that if Iommi had skipped the Ozzy reunion and went right back to working with Dio in 1997, they'd be as big as ever.

Top Five Albums That Took A While To Grow On Me

Fellow blogger Seano posted a list of five albums that took him a while to latch onto but once he did, they became seminal listening. He challenged his readers to post their own lists in the comments. Instead, I thought I would hijack his idea and make my own list here. Thanks, Seano!

So here we go:

August and Everything After - The Counting Crows
I know why I didn’t like this album when it came out. Too much initial hype. Too much whiny singing. And NO guitar solos. The horror. But after many years and faded memories of all the magazine cover stories, these songs hold up very well. They paint great stories and the band supports the songs – imagine that. We don’t NEED a guitar solo here, folks. It’s about the song. My favorite Counting Crows tune though is a cover that is not on this album. It’s their version of Friend of the Devil. Seek it out. It’ll move you.

Born Again - Black Sabbath
In high school, my buddies and I originally liked this album because it was so bad. I mean the cover itself was enough shock value for us to want to consume this album if it was good or not. Turns out that there are some great moments on it, despite it being a weird release in a dark time for the band. The title track is very stony and who can argue that the riff for Zero the Hero is as pummeling as anything Iommi and crew ever cooked up? Hell, Guns and Roses stole it for Paradise City, so there ya go!

Black and Blue - The Rolling Stones
Sandwiched between the Stones’ more fruitful, Mick Taylor era and the rebirth of the band with Some Girls, Black and Blue was kind of a throwaway. The band itself called the album the ‘guitar audition album’ because they had not hired Ronnie Wood yet and there are a ton of guitar players sitting in on this release. But over the years I have come to realize there is not a bad track on it. Crazy Mama is as rocking as the Stones get, Hand of Fate is a keeper and two of my favorite Stones tunes are on it – Fool to Cry and Memory Motel. Enough said.

Pre-Help! Beatles
I had pretty much written off the Beatles' early stuff as pop pap, with the exception of standout hits like I Saw Her Standing There. But candy-assed tunes like She Loves You always made me think that whole period was not very deep. But checking out the band’s first four albums showed me a couple of things. 1) Lennon was totally in charge of that band, as he sings almost all the songs, and 2) he is much more bluesy and ballsy out of the gate than I had recalled. Songs like All I’ve Got to Do, You’ve Really Got A Hold On Me and You Can’t Do That totally kick ass. This Boy is incredibly bluesy and shows how well these guys could harmonize. Finally, check out their take on Please Mr. Postman. It’s as raw as some of Lennon’s later stuff.

Atom Heart Mother - Pink Floyd
Even the guys in Pink Floyd hate this album. I got it in high school and liked If and Fat Old Sun but that was about it. My perception turned when it came out on CD and it seemed…well, louder. I think they mastered it louder. And it sounded pretty good. The Atom Heart Mother side-long suite is dodgy in spots for sure but has some great moments. The notion of Floyd working with orchestrator/artist Ron Geesin must have seemed like a good idea. But remember that he also did an album with Waters that was nothing but songs made up of body noises. Rick Wright’s sub-par song on side two benefits from killer horn breaks thanks to Geesin. I think Gilmour’s latest work leans back towards Fat Old Sun much more than anything Floyd did in the late 70s or 80s. The album has a kind of dreamy quality and little of the intensity of something like Careful With That Axe Eugene or One of These Days. The night Wright died, for some reason I put this one on and it did the job.

That’s my five. So what else? Three bands I am trying to get into but it just ain’t clicking for me yet are The Foo Fighters, The Decemberists and Wilco. I mean, I like what I hear but maybe they’ll make the next list.

Seano, for your next roundup, how about guilty pleasure albums? Ones we like but probably shouldn’t? I’d be happy to take first crack, and then you can swipe MY idea!

New Heaven and Hell Album Art Revealed

OK, here is a nice little image to get your week off to a positive start. Heaven and Hell (Dio-era Black Sabbath) will release its new album The Devil You Know on on April 28.

According to recent news reports, guitarist Tony Iommi said, "It was good to play [the new songs] live in the studio. It keeps you on edge." Bassist Geezer Butler added, "We've learned from the past that you can kill a song doing it over and over. The first Sabbath albums were done in two or three days. Technically they weren't great, but vibe-wise they were great. If you capture that feeling, that's all you need."

The album cover makes Mob Rules look like an image from a children's book. Behold! And have a nice day...

Happy Friday - The Mob Rules!

Could not resist posting this. Happy Friday! FIRE!

CD and DVD Review - Heaven and Hell at Radio City

Anyone who read my posting of the Heaven and Hell show earlier this year knows what I think of the Dio-led version of Sabbath. For those who need a reminder, I think it's one of the best hard rock lineups to ever grace the earth. Forget the Ozzy led Sabbath. Just forget it. That version is a whole other thing, great in its own way, and yes, OK they co-founded heavy metal. But the Dio era Sabbath built on those roots and just sledge hammered it out of the park.

The Mob Rules. Heaven and Hell. Children of the Sea. Falling Off the Edge of the World. The Sign of the Southern Cross. Die Young. Neon Knights. Need I go on? Forget about it!

In terms of the show I saw earlier this year, these guys were in fine form, clearly pleased as a cup of Jesus Juice to be playing these classic heavy duty tunes. Not to rest on their laurels, they also played three songs from their 1992 overlooked reunion album Dehumanizer and two of the three brand new songs recorded for the Dio Years compilation CD. Much to my amazement these non-classic numbers fit in with the classics like a hand in a well broken-in studded leather glove.

Now the band's performance at Radio City Music Hall from this tour is out on CD and DVD and needless to say I bought both and whole heartedly recommend that anyone with even a cursory interest in Sabbath or hard rock go out and buy them right now.

I started with the CD. It's excellent. The same set list I saw, plus Lonely Is the Word. Nothing really to say about the CD except it is an accurate sonic snapshot of the kick ass tour. Dio's voice is soaring and powerful, he hits all the notes and just delivers. Iommi and Butler are playing better then ever. It's all there.

These guys sound like they have something to prove and are out to convert the masses, when really they could have just trotted out and farted through it all. They didn't. Oh, and Dio's scream at the start of The Mob Rules made the hair stand up on my arms. I'm not kidding. I actually laughed at how killer some of this stuff was. Iommi plays a LOT of guitar on this tour and the CD performances are blistering. And I am still amazed at how good Geezer is on this stuff.

The DVD is a must have as well. Same audio, obviously, but the company that filmed the thing really understands how to do it right. From a musician's standpoint, you can't beat it. There are loads and loads of close ups of Geezer, Iommi and Appice actually playing. For example, I am thinking, "Here comes that killer Geezer Butler bass fill at the end of the verse in Die Young," and bang, the camera is on his fretboard and you see him do it. Very nice.

I am so sick of DVDs that don't show the band PLAYING. Paul McCartney is the worst offender. His live DVDs are shot after shot of the audience singing along. Kill me now, man.

No, we get to see the prosthetic tips of Iommi's fingers blaze through the riff in Falling Off The Edge of The World. We get to see how fast poor Geezer has to play for all 5 minutes of Neon Knights. We get to see Appice trot out his fills in the new songs. Lots and lots of close ups.

Now if you don't care about this crap, there are loads of shots of the stage from all angles, and plenty of Dio devil horns. That's the one thing - he didn't hold back on his use of the 'horns' and at some points he is a little bit campy. Heavy metal, but campy. Heavy metal campy!

It's the one area where I have a critique of the band. Dio is a little bit on the edge of Spinal Tap with some of his antics and his overall look. My buddy Dave said it best when he said "The whole wispy hair elfin thing just isn't really doing it for me." But, hell, it's Dio. What are ya gonna do? He's always been true to himself, so good for him. I'll accept it.

Side note: You know how Johnny Depp based his character in the Pirates of the Caribbean movies on Keith Richards? I think they based Gollum in the Lord of the Rings on Dio. I'm just saying...

Back to the DVD. The audio is great. Geezer is mainly in the left speaker and Iommi is to the right. If you unplug one of your speakers you can hear the other guy shine. I suggest you unplug Iommi's side and bask in the insane talent that is Geezer Butler.

But you will also note when you take Iommi's side out of the mix that there are a lot of keyboards and even some guitar in the background that is being supplied by someone offstage to help fill in the sound. We actually meet this guy in the bonus material. His name is Scott Warren and he's been playing with Dio for years.

The bonus material is pretty good. You get the story of how they got back together and how much they love this music. Iommi says about five times that he was sick of playing the same 10 songs with Ozzy for eight years, and even notes that when the Ozzy reunion started, the shows were two hours but slowly whittled down to an hour or less. He clearly savors this version of Sabbath.

Which makes me wonder what is next? They could easily crank out another album. Or maybe they will let it go for a few more years. For sure there is no bad blood between these four. One can hope they'll do another tour at some point. I'll be there. In the meantime, we have the DVD!

Dio Speaks!

This is from Blabbermouth.net, copied in its entirety. But these quotes are so informative for those who care about Dio and Sabbath (and who doesn't!), I thought they bore repurposing:

David Glessner of the Express-News spoke with legendary vocalist Ronnie James Dio (Black Sabbath (Heaven And Hell), Dio, Rainbow). A few excerpts follow:

Discussing his universally recognized forked-fingers devil-horn salute:

"You see it at Britney Spears concerts now and that's when you know you've lost it. I certainly didn't invent it, but I've become synonymous with it. It's cool to do a show and not (flash the horns) for a while, because everyone in the audience is just waiting and waiting for it."

Talking about comparisons to the Ozzy-fronted version of Sabbath:

"As you said, I think (both versions of Black Sabbath) are two distinct entities. In listening to 'Heaven and Hell,' I find very few flaws in it. If you've got a great band playing great songs that defined an era, you've got something really special. Some of the people who discovered Sabbath at that point didn't even know there had been a Sabbath with Ozzy. This is not a me-versus-Ozzy thing. Sabbath with Ozzy invented heavy metal. They deserve the credit they've been given. I just brought something different, because I came from a more musical place. We kept the integrity of the heaviness, but musically, there were a lot more places for Tony and Geezer to go."

Chatting about Dio's original departure from Sabbath after the 1982 live album, "Live Evil," parts of which were recorded in San Antonio:

"There were too many people whispering behind too many other peoples' backs. Truth be told, Vinny and I were waiting for Tony and Geezer to come to the studio and they never did. Things got blown out of proportion."

Discussing the "Dehumanizer" album, which Dio describes as "one of the great, underrated albums of the metal genre":

"About a week into the American tour, I was told we were going to be the opening act for Ozzy for two shows. I said, 'No, I won't do that.' At that point, so much dirty water had gone under the bridge and I knew Sabbath was going to reunite with Ozzy anyway, so I just refused. They got Rob Halford as a late replacement for me to do those two shows. I did what I believed in and I still think it was right."

On Dio's determination to make sure the gates of Heaven And Hell will be locked before the legacy is pillaged:

"Had I been bright enough, I would have used your exact last words. If you get into the cycle of an album and a tour, and then another and another, at some point you're forced to do something you don't want to do. We all have other commitments and the guys are going to have their 40th anniversary with Sabbath next year, so I'm sure they'll do something with Ozzy."

Heaven and Hell Concert Review

Caught the Heaven and Hell show last night in Man Jose at the HP Pavilion. Overall, they did not disappoint. My buddy Kevin and I showed up just after 8:30 and we caught Megadeath saying goodnight. Which was perfect because I didn’t give a rat’s ass about seeing Megadeath or the other opener.

Quick set change and the mighty Dio-led Sabbath took the stage. They were fricking great. Exceeded all of my expectations. Dio was the stand out. His voice is still so powerful. It is clear that he has taken very good care of himself. Kevin and I had seen Dio play solo twice in the 80s (Holy Diver and Last In Line tours) and we agreed he sounded even better last night.

The guy also has the best attitude. He smiled all night, interacted with the front general admission layers of people. He took items fans had made for him, held them up and put them aside for later. He even tried to do a between song autograph but no one had a pen. Iommi came to rescue with a handful of picks. But you could just tell that Dio was having a blast singing these songs, with this band.

Tony Iommi was also a stand out. I had seen Sabbath at the last Ozzfest (more on that in a second), so I knew he was still at the top of his game as a player. But he really shines on the Dio-era songs. He ripped some of the most kick ass guitar solos – ranging from moody and dark to so blazingly fast I thought his prosthetic fingertips would burst into flame. Lots of smiles from Tony, too.

The guy who surprised me was Geezer Butler. I knew he was good, but I wasn’t sure if live he was sort of a slop hound. But he played the shit out of that bass. Fast and precise, melodic. Lots of cool wah-wah effects in Sign of the Southern Cross (funny, I always thought that was guitar on the album). The surprise of the night.

Drummer Vinny Appice was fine in the songs – really good, actually. But he wrecked it by doing the most Spinal Tap, bogus, crappy drum solo I have seen in years. Iommi must have needed a smoke break or something, because Appice had no business doing a drum solo. Boring, cliché and uninspired.

The set list was a dream. Sure, they skipped some Heaven and Hell and Mob Rules tunes in favor of new material or stuff from Dehumanizer, but I thought it worked overall. In fact, the three Dehumanizer tunes they did (After All, I, Computer God) were much, much better than their studio counterparts. It made me realize that the trouble with that album was the way it was produced – not the songwriting. These songs fit right in with the classic stuff.

They did two brand new songs that were recorded for the new Dio Years compilation. One (The Devil Cried) was very forgettable, but Shadow of The Wind was pretty killer – good vocal melody and very heavy riff.

Of course I am saving the best for last. They treated us to the classic Dio era Sabbath, doing Mob Rules, Lady Evil, Children of the Sea, Falling Off the Edge of the World, Sign of the Southern Cross, Voodoo, and the three standouts by far – Die Young, Heaven and Hell and a blistering encore of Neon Knights. Actually, I pretty much got my money’s worth with Children of the Sea. Epic.

The stage was gothic but not too Spinal Tap. No video screens thank God. I felt like this show would be so great in a little club. Just super heavy ass music played by talented hard rock legends.

Overall, it was very clear they were enjoying playing this music that they haven’t done in more than 15 or 20 years. Like I said, I had seen the Ozzy fronted Sabbath at the last Ozzfest and they just struggled. Ozzy lost his voice half way through, everyone was looking at the ground, and you just got the sense that they were so far past their prime it was kind of embarrassing. With Dio, it’s a whole different band. Tight, powerful, passionate, heavy, and really into what they are doing. I wish I could see them again, but I hear there is a DVD from this tour coming, so I will just have to get that instead!

Oh yeah, and Dio still says “Hell,” “Devil” and “Fire” the way only Dio can say “Hell,” “Devil” and “Fire.”

Set list:
E5150
After All (The Dead)
The Mob Rules
Children of The Sea
Lady Evil
I
The Sign of The Southern Cross
Voodoo
The Devil Cried
Vinny Appice Solo
Computer God
Falling Off The Edge of The World
Shadow of The Wind
Die Young
Heaven and Hell
Neon Knights

I Broke the Ticketmaster Code!

So, I was able to get a work related trip to the Bay Area arranged for the week of April 23, which puts me there in time to see the Heaven and Hell show on April 24 at the HP Pavilion in Man Jose. Ticketmaster offered tickets today via an Internet pre-sale and not knowing if the show was smoking hot or not, I wanted to get my ticket ASAP. It took me three tries to hit upon the correct pre-sale password. I tried "Hell" and "Black" before nailing it with "Sabbath." How very clever. I felt like a big time hacker. Yee hoo. Anyway, I found out that the whole floor is general admission anyway, so it didn't really matter. But I still felt like I beat the system, so I win for the day.