Book Review - Tony Iommi - Iron Man

I have been meaning to post a review of Tony Iommi's autobiography Iron Man for a while now. I read it in November, right after Ace Frehley's book, which I did review. But the Iommi book got away from me.

Many people beat me to it, including my friend and co-worker Justin Norton, who reviewed the book for the Invisible Oranges website.

I also made the mistake of actually reading Justin's review, which sealed the deal that I would never write my own, because I agreed with 95 percent of his review and mine would be a copy.

So I asked Justin if I could just re-post his (lazy, I know), so I am doing so. But first let me say that I enjoyed the book and learned an awful lot about Iommi. The story about how he crafted the prosthetic fingertips after his factory injury is fascinating. In fact the detail in which he describes what he has to do to this day to keep his fingers in shape for playing is really amazing.

Overall the book is entertaining but a little dry. The stories of how they used to haze Bill Ward are pretty awesome. The Born Again era is well-documented, but the reunion with Dio is almost an afterthought despite the great success of those last few years.

Anyway, if you dig Sabbath, get the book. Oh and be ready to want to break out your old Sabbath LPs and really dig into them. I was inspired to do so and now feel that Sabbath Bloody Sabbath is my favorite Ozzy-era album by far.

Here is Justin's review, also posted at Invisible Oranges. Go there to read the comments - they are interesting.

Oh, and Thanks Justin for letting me steal your work.

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Iron Man: My Journey Through Heaven and Hell With Black Sabbath By Tony Iommi (with T.J. Lammers)

“My role was to come up with the music, with the riffs,” Tony Iommi writes early on in his memoir Iron Man: My Journey Through Heaven And Hell With Black Sabbath. “That probably stopped the others from writing music. If I didn’t come up with anything, we wouldn’t do anything.” Iommi says it in such a deadpan voice that you’d think he was talking about a day in a Birmingham plant rather than creating a genre of music that’s been around for nearly a half-century.

Considering how circumspect and low-key Iommi has been despite his achievements, it’s not a surprise that writing the building blocks of heavy metal seems like another day at work. Iron Man, co-written with T.J. Lammers, does a good job of telling Iommi’s story from Birmingham troublemaker and novice gangbanger to rock legend. Iommi’s bandmate Ozzy Osbourne has long been over-covered in print and on television; in the past two years there’s been an Ozzy autobiography, a book of humorous medical advice and a documentary helmed by his son, Jack. During Ozzy’s peak popularity in the early ’00s there were enough books on the Osbournes to fill a small shelf. Part of this is unsurprising; Ozzy’s antics and his public persona beg for stories and tabloid coverage. Meanwhile Iommi – the man who created the musical universe that propelled Ozzy to stardom – spoke through music. Who needs words when you wrote the riff for “Paranoid”?

Nonetheless, there’s been an unrelenting curiosity about Iommi’s past because time has proven him to be the cornerstone of metal. While Ozzy courts television cameras, Iommi hides behind sunglasses and often painfully generic interviews. Iron Man does a good job of answering questions. Iommi takes us back to his earliest years, when he played with also-rans like The Rockin’ Chevrolets and famously crafted part of a finger after an accident to continue playing guitar, all the way to recent passing of Ronnie James Dio.

Iommi found his muse with Sabbath; he quickly took to the road, and never stopped. The tour stories are hilarious and often horrifying; how Ozzy showed up for an early tour with just one shirt and a pair of jeans; how Iommi and one-time manager Patrick Meehan thought a wasted groupie was dead and considered throwing her off a balcony before she woke up, and how drummer Bill Ward was nearly killed when he was set on fire as a joke.

There are a number of interesting detours, including Iommi’s revelation that he experimented with astral projection but today can’t “leave his body”. Along the way there are worldwide travels; countless lines of cocaine – they really were snowblind – and musical partnerships with unlikely collaborators like Body Count’s Ernie C. Iron Man offers insights into many relationships, including Iommi’s close friendship with Led Zeppelin drummer John Bonham. Iommi’s relationship with Lita Ford gets a bit of a brush off; perhaps he views it as insignificant in retrospect.

There are no huge revelations or exposés in Iron Man, and that’s what makes it a strong record of Iommi’s life. Despite fame, riches and influence, Iommi never views himself as more than a talented and determined English guy who wanted to make music. Iron Man is a story about the power of creativity paired with drive and, ultimately, about a life well-lived.

By Justin M. Norton

PS - Justin turned me on to the band Ghost and I will be reviewing their tremendous new album soon. And no, I won't be reading Justin's first!!!!

New 1970-Era Doors Tune Released

It's always fun to have bands open the archives so fans and fanatics alike can enjoy outtakes, first mixes and even tunes that hit the cutting room floor. Witness the excitement over the recent 'new' Van Halen song that was really from the band's first demo in 1976.

The Doors have followed suit, releasing a song that was recorded during sessions for 1970's L.A. Woman album.

There are some real gems on L.A. Woman and I like it best out of all their albums, if not for the songs but for the sound. The older Doors albums sound great but also have that late 60s dated sound to my ears. Mainly due to keyboards and drums.

But much like the Abbey Road album (same year, almost), the mics, studio techniques and mixing technology finally hit a real sweet spot and the recordings shine and still sound modern. The drums sound punchy and Ray Manzarek's keyboards don't sound all hurdy-gurdy.

So anyway, the band is putting out a 40th anniversary issue of L.A. Woman and have dug up a new song called She Smells So Nice. It's a blues, a la Crawling King Snake and Been Down So Long, which are my least favorite songs on that album. But I know Morrison was really into singing the blues at that time so I am pretty sure the band humored him.

She Smells So Nice is a 'fast blues' shuffle. Morrison's vocals are distorted, which probably means this is a first take that they never went back and fixed. And now of course, they can't. It's cool to hear a new song, though. Check it out below. What do you think?

She Smells So Nice by The Doors Official

New Van Halen Single - Tattoo - Hear It Here

Don't have much time to do more than post this for you to hear. It's Van Halen's new single, Tattoo. First impression is that Eddie's solo rocks, and overall the song sounds like something I could actually hear Sammy Hagar singing! But I don't know - I need to hear it more than once to make a fair assessment. What do you think?

Tony Iommi Has Cancer

Reuters is reporting that Tony Iommi has been diagnosed with early stages of lymphoma.

Iommi's website also backs this up, saying "With the news that Black Sabbath’s Tony Iommi has been diagnosed with the early stages of lymphoma, his bandmates would like everyone to send positive vibes to the guitarist at this time.

Iommi is currently working with his doctors to establish the best treatment plan--the “IRON MAN” of Rock & Roll remains upbeat and determined to make a full and successful recovery."

This is terrible news, and who can avoid thinking of Iommi's band mate Ronnie James Dio dying from cancer in May 2010. The difference is, Dio's cancer was not detected until it was well-along.

Rolling Stone posted an article this morning as well, saying:

Two months ago the original lineup of Black Sabbath announced plans to record their first album of new material since 1978's Never Say Die! with producer Rick Rubin. They had been working in Los Angeles, but Iommi's diagnosis has caused them to move recording over to England.

Black Sabbath are also scheduled to kick off a world tour May 18th in Moscow. It's unclear whether or not Iommi's treatment will have any impact on these plans. The group hasn't toured since 2005, though the Ronnie James Dio-led lineup of Black Sabbath toured extensively from 2007 through Dio's death from stomach cancer in 2010.

Cancer is a bitch and reared its head in a very personal way for me in 2010. I had three people close to me pass of it (plus of course Steve Jobs, a high-profile victim). Let's pull our prayers together not only for Iommi and all the other cancer sufferers, but that a CURE can be found and cancer can be made a footnote in history, like polio.

Van Halen Cafe Wha? Gig -- Exclusive Report and Photos

A former housemate in San Francisco from many years ago was able to get into the Van Halen show last week and I spoke to him about it and with his permission am posting some of his photos and observations for you to enjoy.

Hi name is Vince Muraco, and he is Executive Chef at Andaz 5th Avenue in New York City. In fact, when I knew Vince in the mid 90s, he was attending California Culinary Academy in San Francisco, where at age 17 he was its youngest student ever.

He has a long, prestigious resume as a chef in California, Miami and New York, including Park Hyatts in SF and LA, Vix in Miami, Grove Isle Resort in Coconut Grove, Florida and as Executive Chef at Zimzala in Huntington Beach. Now in New York and soon to be married and a father to boot, Vince is making a name for himself at Andaz 5th Avenue.

He has always been a Van Halen fanatic, even back in the day when we shared a house with a bunch of other guys in the city. We needed to have seven or eight people in that house to make rent, and Vince was one of those guys. I was in a touring band and wasn't around much but when I was we'd sometimes talk Halen, and I'd borrow his red Strat, the only axe in the house with a whammy bar. Vince also had one of the first 5150 heads, which he still has!

So anyway, he was able to get into the show at literally the last second from a classic 'friend of a friend of a colleague' situation and was ushered into Cafe Wha? during the first song. He stood off to the side of the stage on Wolfgang's side. You can see that from some of the photos he has shared.

Vince told me the vibe in the venue was electric and even though it was mostly industry folks in attendance, people went totally nuts.

He said that while Dave couldn't really hit the high highs, he sounded great and was the same old Dave, telling stories and going on and on. He said the band was mugging behind him and Eddie looked at his watch a couple of times during the longer Dave intros but all in fun.

Wolfgang was solid but as with most people, Vince missed Michael Anthony's voice. Wolfgang and Eddie did sing backups, though. Alex was rock solid on the kit, playing the smallest drum set Vince had ever seen him play -- probably due to the tiny stage more than anything. And the happiest surprise was that Eddie seemed sober and was having fun and was on fire.

Vince told me he had been able to sit in on some Van Hagar sound checks a few years ago and Eddie would be tight and killer but by show time he'd be wasted and couldn't play. Not the case in New York.

As you'd expect (and with an only 45-minute set), it was over in a blur. As noted in other reports, despite Beautiful Girls and Unchained being on the setlist for the encore, the band only did one song, Ain't Talkin Bout Love

Vince hung out after the show, bumped knuckles with Wolfgang, who gave him a pick, and then made his way to Eddie's side and was able to grab a setlist (pictured) and one of Eddie's picks too. Gearheads will appreciate the photos of Eddie's rig.

Speaking of Eddie, Eddie Trunk (NYC DJ and host of VH1 That Metal Show) was there and Vince was able to shoot the bull for a second and give him his card. Jimmy Fallon and John McEnroe were also in attendance.

Enjoy Vince's photos, and for sure hit the Andaz 5th Avenue if you make it to NYC. Thanks Vince for your insights and photos! Next step - let's see how good the new album is.

Also, according to Eddie Trunk's website, the track listing for Van Halen's new studio album, A Different Kind Of Truth has been revealed via The Van Halen News Desk.

A Different Kind Of Truth's Track listing:

1. Tattoo
2. She’s The Woman
3. You and Your Blues
4. China Town
5. Blood and Fire
6. Bullethead
7. As Is
8. Honeybabysweetiedoll
9. The Trouble With Never
10. Outta Space
11. Stay Frosty
12. Big River
13. Beats Workin’

In other Van Halen news, MelodicRock.com is reporting that the Deluxe Edition CD will feature a bonus DVD featuring four brand new acoustic performance videos titled The Downtown Sessions.

Van Halen's A Different Kind Of Truth is due to be released on February 7th through Interscope Records.

Van Halen Rock NYC Club - Videos Included

As predicted, Van Halen played a small club gig last night for 250 industry folks and journos. You can read all about it at RollingStone.com and I am sure a bunch of other music outlets. But here is the Cliff Notes version from what I read:

--Setlist was from the 70s Roth albums plus a 'new' song from the upcoming album, but the song is a re-working of a 70s-era tune that was never released
--They absolutely rocked and were super tight. Eddie was sober (yes!)
--Roth is still verbose
--Wolfgang is great on bass but everyone missed Michael Anthony and especially his vocals

Its great to hear that the band is tight as shit and Eddie seems together. I guess the proof in the pudding will be the new album. Does VH have any creative fire in its tank? We'll soon find out: the new album is out next month!

I am sure loads of clips from the gig last night will emerge. Here are a few already:

New song "She's A Woman" debuted:



Here is a cool one. Who knew Dave played guitar?



and this is the whole of Panama:



Sounds great guys!

By the way, here is the original Gene Simmons-produced demo of She's the Woman from 1976:



Here is the setlist according to ClassicRock.com:

1. You Really Got Me
2. Runnin’ With The Devil
3. Somebody Get Me A Doctor
4. Everybody Wants Some
5. She’s The Woman
6. Dance The Night Away
7. Panama
8. Hot For Teacher
9. Ice Cream Man
10. Ain’t Talkin Bout Love
11. Jump

According to ClassicRock:

During the show Roth namechecked some of the stars who have played the Cafe Wha? in the past – Bob Dylan and Jimi Hendrix among them – and told the audience: “I’m more nervous about this gig than I would ever be in Madison Square Garden”. And among the celebs in the audience was tennis legend John McEnroe, who’s always loved to throw guitar hero shapes.

The band start touring in North America on February 18 in Louisville, Kentucky. The dates so far stretch to June 26 in New Orleans, with tickets on sale from Tuesday, January 10. So far, there’s no hint of any shows outside of the States and Canada.

Check out the full list of dates here. Bizarrely, Kool And The Gang are said to be supporting on selected shows!

Also, according to the Van Halen News Desk, the band’s new single, Tattoo, will premiere on January 10, along with the official video.

Happy Birthday John Paul Jones, George Martin

I don't usually do these happy birthday posts but these two guys undoubtedly changed the course of music, with The Beatles and Led Zeppelin.

I have never seen or met Beatles producer George Martin, but was able to ogle JPJ a couple of years ago when Them Crooked Vultures blew our tiny little Portlandia minds at a mid-sized club called The Roseland.

If you want to see what JPJ added to the 'heavy' of Zeppelin's heavy metal, look no further than this from 1999:



And here is a great video of George Martin going over how he and the Beatles recorded A Day In The Life:



John Paul Jones is now 66, and George Martin just hit 86.

Van Halen to Tour in 2012

A few days ago Van Halen posted a teaser video on the band's website. It was basically a two minute clip of some songs from the 1984 album with black and white video of the guys going through the motions, with scrolling text that the band will tour North America in 2012, and that the first tickets will go on sale as early as January 10.

A second item showed up on the Roxy's official website saying that the band has been rehearsing in secret at the L.A. club for two months. This was a cool inside scoop 'official leak' with a few posts from Roxy personnel.

See the whole thing here, but here is the scoop and a photo:

For the past 2 months VAN HALEN has been rehearsing here 2-3 times a week!!!!!!

Do you have any idea how hard that was to not tell you??

When you come in at 10:00AM and David Lee Roth, Eddie Van Halen, Alex Van Halen, and Wolfgang Van Halen are on stage with 3 other people in the room playing “Running With The Devil” and you can’t say anything?! It’s tough, to put it simply.

It all began with a 3 day video shoot for their newest single that you don’t know about yet (shhh) and we were all geeking out like never before. Little did we know, the guys had fallen in love with the room and decided to rehearse for their upcoming unannounced tour for the next 2 months!

We couldn’t film it for obvious reasons, so we’ve decided to share some of our favorite VH moments that happened for the next 2 months.

I am not sure if I will bother with this. If they hit Portland and the tickets are cheap, maybe. But wouldn't it be great if the band's new album - supposedly hitting also in 2012 - is actually good? That would be a big surprise and would put these guys on top again. Everyone loves the rags to riches to rags to riches. In my opinion, VH is now an underdog with low-assed expectations so they can only go up from here.

Unreal David Gilmour Live Video from 1978

Everyone - have a great weekend and enjoy these.



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New Geddy Lee Billboard Interview

Billboard posted a cool check-in interview with Geddy Lee this morning. I usually capture little bits and pieces for my loyal readers, but I found the whole thing illuminating, especially the notion of playing other albums end-to-end on future tours. Dig it:

Billboard: The Rush documentary Beyond the Lighted Stage came out last year. What was your initial reaction?
Geddy: It was hard for me to watch in some ways. It was kind of fun to watch the old, old stuff, the bad hair and bad clothes. And seeing the old performances, I enjoyed that. It was kind of an out-of-body experience, because I didn't recognize that as me. But I found it uncomfortable just to see so much of us talking [laughs]. I enjoyed all the parts where other people were talking more than watching us talk incessantly about what we do.

Billboard: What moved you to perform Moving Pictures in its entirety on the Time Machine tour?
Geddy: We thought that was the perfect time, and the perfect album to do that with. Because I guess it would be considered our quintessential album, and it was the 30th anniversary of that album being released. It also gave us the opportunity to play an 11-minute song on that album called The Camera Eye, which we had never really embraced as a live song.

Billboard: Would you consider doing that with any other classic Rush album?
Geddy: I certainly would. We really enjoyed that whole experience. We played for three hours -- you can tuck a 45-minute album in there and still play lots of new things and lots of other things. If we were really out of our minds, we would attempt something like [1978's] Hemispheres. If Rush has a cult following, within that cult following there's a following for Hemispheres [laughs]. I'm not sure we're up for that one, but I could see us doing 2112.

Billboard: What can we expect from the next album, Clockwork Angels?
Geddy: The first two [single] releases from this album, Caravan and Brought Up to Believe, are a great indication of where this album's going, although there's much more variety than just what those two songs offer. When I look back at [2007 album] Snakes and Arrows, as happy as we were with that record, in retrospect I feel we kind of overdid it with overdubs. We'd like to simplify that, just in terms of making sure the guitar, bass and drum sounds are big and loud and clear, and any time we are going to add an overdub, to make sure that it definitely is adding and not subtracting.

Billboard: Your parents were Holocaust survivors. How did that affect your life and music?
Geddy: Certainly my personality, my sense of humor, my outlook on life was informed by the experiences of my parents, and the stories they shared with me. Red Sector A [from the band's 1984 release Grace Under Pressure] was informed by one of my mom's stories -- when she was liberated in Bergen-Belsen in Germany. When they saw that there were British soldiers coming in to liberate them, they were in such disbelief. They had assumed that they had just been abandoned. Neil [Peart, Rush's drummer/lyricist] and I talked about this, and he'd been putting together some ideas for a futuristic song about a similar kind of prison idea. That story had some impact on him for sure.

Billboard: You're known as an obsessive baseball memorabilia collector, with a museum-quality collection. How did your baseball passion develop?
Geddy: In the early '80s we were touring a lot in America. We'd be staying at a Holiday Inn somewhere, and after a 400-mile drive, we'd be waking up around midday. There was nothing to do but turn on the box, and there was almost always a Cubs game on. I started watching the Cubs every day, and before I knew it I was completely obsessed with baseball. It keeps me sane, or it keeps me insane, probably.

DVD Review – The Rolling Stones – Some Girls Live In Texas ‘78

As the Stones ponder their 50th anniversary next year, they are re-kindling interest in the band by releasing a deluxe version of their 1978 album Some Girls, remastered (again) and with a full second album’s worth of songs rescued from the cutting room floor. I will review that release soon – but I’ll tell you now that it’s pretty great.

The group also issued a DVD shot in 16mm film of an intimate concert mid-way through the 1978 American tour that I have been watching pretty much non-stop for the past week, called Live In Texas ’78.

The Stones are in top form at this show. The film catches the band on probably its last tour before it got into the big shows with the over the top props and ramps into the audience and all of that. Here it’s a tight five piece with two keyboard players augmenting the sound. And while the band did do some stadiums on the 1978 tour, this show was at a 3,000-seat theater in Fort Worth, Texas.

The set list is exciting. They kick it off with Let It Rock by Chuck Berry and then slide into some older, familiar tunes like All Down the Line and Honky Tonk Women. But then they soon hit the new material, which was from the mostly punk-inspired Some Girls album. Here the band really hits its stride. Jagger straps on a Strat for When The Whip Comes Down and we see Keith cue the bridge when the time is right. Throughout the night, the Stones perform like they still have something to prove. And new band member Ronnie Wood has clearly added some fire to the lineup.

The band does seven of the ten songs on Some Girls, only omitting Lies, Before They Make Me Run and the title track. This is the last tour where they did so much new material live – and per a 2011 interview with Jagger in the DVD bonus goodies, this was unique even on this tour – they did all that new stuff on this night because it was a small show. A big highlight for me is the live version of Just My Imagination – not punk inspired, rather just groovy and rockin.

Despite the tightness of the group, the arrangements on many of the new songs are loose, with solo sections in different places than the album, and Jagger adding extra lines like in Miss You. In fact despite the fact that Miss You was the big single at the time, the song is pretty much an extended jam with Jagger again on guitar, so Keith and Woody take loads of solos, sometimes at the same time!

There is all sorts of shit in this film you’d never see in a concert film today, like a roadie mopping up a spilled drink by the drum riser during All Down The Line. And the hole on the ass of Jagger’s pants that is covered with duct tape during the first few songs but then is gone and it looks like his underwear is hanging out of the hole all night.

Or in Far Away Eyes, when Mick starts the song on piano but after a verse is having problems with it so he moves to the organ and just picks up where he left off. And…why are Bill Wyman’s middle two fingers bound together? That’s another weird little thing on this film. Regardless, he plays great. I always thought he was fairly mediocre but this music shows off his chops. Even on a slow burner like Beast of Burden his parts are moving and melodic. Good stuff.

Where the Ladies and Gentleman film from the Exile tour showcased Mick Taylor pretty much noodling through every song, this concert showcases the emerging guitar interplay between Keith Richards and Ronnie Wood. Wood is rock solid and is just playing, instead of all the mugging he does these days.

In fact none of the band is mugging. Again, somewhere after this tour they became sort of caricatures of themselves in concert but here they are the real deal. Jagger’s voice is still in that really throaty mode, which he got out of later. It’s evident in Beast of Burden, which is a more aggressive delivery than on the album.

And let’s not forget Charlie Watts – rock solid and probably in his prime here.

After seven new songs in a row, the band shifts back to familiar ground with Love In Vain, an incendiary Tumblin Dice, another Chuck Berry cover, Happy (with Keith on vocal of course) and then the one-two punch of Brown Sugar and Jumpin Jack Flash.

The bonus tracks are interesting but probably only worth one viewing. The aforementioned Jagger interview is good. The band’s 1978 Saturday Night Live performance is on here – all three songs – and it’s just as I remember it. Terrible. The mix sucks, Jagger’s voice is gone and the performances are just poor overall. But Jagger and Dan Aykroyd doing a mock appearance on the Today show is a keeper.

You got a Stones fan you want to dazzle this Christmas? Get them this DVD, and Ladies and Gentlemen. They’ll love you forever.

Stones 50th Anniversary Plans Brewing? Mick Taylor and Bill Wyman Involved?

The Stones will celebrate 50 years in the biz next year and the rumor mill is churning with tidbits - will the band do a massive tour? Will they record?

Keith Richards has been the most vocal about it, from Rolling Stone Magazine: Keith Richards will meet fellow Rolling Stones Ronnie Wood and Charlie Watts in a London studio. "We're just going to play a little together, because we haven't played for three or four years," Richards says. "You don't necessarily want to rehearse or write anything – you just want to touch bases. That's a good start: me, Charlie and Ronnie. Mick's welcome, and I'm sure he'll turn up, but right now we just want to get our chops down."

OK, cool. But another string floating around is cooler - Richards has also invited Mick Taylor and Bill Wyman to consider getting ready for something.

He told Spinner in an interview: And of course everyone else is welcome. Mick Taylor's welcome. I don't see why everybody who was a Stone shouldn't be involved. I read somewhere else that Bill Wyman is at the ready for whatever transpires (can't find where I read it though!) Interesting since he gave up the band due to a loathing of touring.

Meanwhile, the Stones just re-issued Some Girls with 13 bonus/cleaned up tracks from the 1978 sessions, a-la the Exile on Main Street reissue. The band also put out a live concert film from the 1978 tour, called Live in Texas. I have the CD, and the concert DVD is in the mail - watch reviews soon. And while I think the Stones jumped the shark long ago, I'd be up for a concert with Mick Taylor, just to see him work with these guys again.

Book Review - Ace Frehley No Regrets

I ripped through Ace Frehley’s book No Regrets in about three days. I am a life-long KISS fan and thought I had read it all, but let me tell you – I learned more about Ace and KISS than I had in years. The book fills in all sorts of holes in KISStory and gives the first really comprehensive picture of the man behind the Spaceman persona.

Usually I want to skip over the ‘childhood’ portion of biographies but Ace’s is really interesting and goes a long way to explain his laid back live-and-let-live demeanor. His entry into music is really interesting too, with some great, great stories, like how he used to sneak backstage at concerts and one time got dragged onstage to set up Mitch Mitchell’s drums at a Hendrix concert!

I was pleasantly surprised that Ace didn’t spend a lot of time on stories that have been told a thousand times by Gene and Paul, such as the fact that the band set up hollow speaker cabinets in their first club gigs to make the backline look bigger. He wisely skipped all of that and instead told new stories – plenty of stuff I had never heard before. I feel like Ace could fill a whole book with stories about drunken escapades and escapes from near death, and… oh wait that is exactly what he does here!

Ace does not shy away from being a life-long addict and how it impaired his decisions and his career. He is brutally frank about how during the recording of the Destroyer album he switched from being mainly a drinker to doing lots of cocaine. This begins a vicious decades-long struggle with dependency (Ace has been clean for five years), and many crazy stories.

He is very understanding as to why Paul and Gene didn’t want to work with him after a certain point (neither are drinkers or drug-users). And despite the No Regrets title of his book, Ace does express some regrets that he could have handled certain situations with more poise in his drugging days. He also credits Paul and Gene for being understanding about his desire to leave the band, and says they both made earnest pleas for him to stay in, which I don’t know I had heard Ace admit in the past.

Despite the fact that the media portrayed the book as slinging loads of dirt at Gene Simmons, it’s pretty tame in that department. Ace does say that Gene is a sex addict, and that he never really understood music (was more focused on business, marketing etc etc) but he has way more good things to say about Gene overall. Not a bad word in the book about Paul Stanley either. And while he says Peter Criss was his best friend in the band (because he partied too) Ace concedes that Peter became an unpredictable and unpleasant person towards the end of his (Peter’s) stint with the band – yes, due to drug and alcohol use.

Ace’s description of what it’s like to be an addict is very intense. He basically says when he first did coke, it was incredible but then he was always seeking that same first high, which was unobtainable because his body had developed a tolerance. He also said that alcohol as a depressant and cocaine as a stimulant was the perfect cocktail mix for partying for days on end. But then you’d get too strung out and have to take sleeping pills to rest. Then you wake up hung over and start taking prescription medication for that. Pretty soon you become a walking pharmacy and your only concern is where you are going to get your drugs in the next town because you can’t bring enough with you. He makes it sound like a real hassle and a nightmare, and it is. Keith Richards told similar tales in his book of trying to think steps ahead to get his fix in the next town.

Aside from the rise of KISS from a no-name bar act to the biggest band in the world in just two years, Ace provides a great in-depth look at the making of his solo album in 1978 and how he came into his own as a singer and songwriter. He has kind words for manager Bill Aucion and band ‘coach’ Sean Delaney, who helped with a lot of the early stage look and even coordinated the band’s stage moves. Lots of credit given to those two for the band’s success.

Ace concedes that once he left KISS his career and life went south due to the drugs but he does touch on his solo career and the recording of the albums he put out post-KISS. He does not provide as much insight into what happened on the KISS reunion tours – maybe those memories are too fresh. But the story ends on a high note, with Ace celebrating five years of sobriety and the release of his recent solo album, Anomaly. I pulled Anomaly off the shelf after I finished the book and still really enjoy it. Sure there is some crap on it but there are many gems. Sounds like classic Ace and that’s a good place to be.

Ace seems happy and healthy. That’s the impression I got from the book at least. He is at a place where he can look back and marvel on his accomplishments and share a laugh or two with the world about the crazy road he has taken. If you dig KISS, get the book.

Sabbath Reunion with Ozzy - Terrible Idea

No one I know was really shocked to hear the news last Friday that Ozzy is getting back together with the rest of Sabbath for a 2012 tour and yes even a new album -- the first album since 1978's Never Say Die. It was the worst kept secret of the month, and something about the Spinal Tap-ish announcement on 11-11-11 seemed appropriate.

The response has been generally positive from what I have seen and people seem genuinely supportive. Me? I think this idea sucks. Ozzy jumped the shark 15 - 20 years ago and I guarantee the new album will be a piece of crap and the tour will descend into Sabbath playing the same ten songs they always play with Ozzy.

You want proof? See this Ozzfest show from 1999. You think Ozzy is going sound any better with these guys 13 years later? Dream on.
 

Contrast that with the STELLAR Dio reunion and Iommi and crew should have just gone out on a high note.
  Call me a curmudgeonly old fart but I dunno...

Book Review - Steve Jobs, by Walter Isaacson

Long-time readers know that despite this being basically a music blog, I will occasionally delve into technology stuff. And recently, I plowed through the Walter Isaacson Steve Jobs book and wanted to post something.

The list of markets Jobs revolutionized or invented is mind boggling: personal computing, desktop publishing (with Adobe), computers with a graphical interface (not having to type commands into the computer to make things happen), saving the music industry from Napster-like piracy with iTunes, the animated films industry (through Pixar – that part of the story is one of the most interesting), the mobile phone industry, retailing (Apple Stores), the app store for phones and tablets, and tablet computing with the iPad.

It might sound like I am an Apple ‘fan-boy’ as they are called, to agree with this list, but read the book. It’s all true. He either took an existing seed of an idea and made it work (graphical user interface, tablet computing), or outright invented it (iTunes).

Also true is that Steve Jobs was a major prick. This guy either thought you were a genius or you were shit. He led through fear and intimidation and pushed people beyond what is reasonable. Now, in many cases this method led to engineers and designers coming up with things that had previously been thought impossible. But still, not fun. He would also do things like send food back in restaurants after one bite, claiming it was inedible. And he pretty much totally neglected his family and kids. That kind of bullshit.

So while I very much admire the man, his perseverance and his genius, I don’t strive to be at all like him after reading the book. However, I do appreciate his take no prisoners attitude and the questioning of the status quo and responding to a ‘no’ with a ‘why not?’ And his willingness to fail. Nothing good happens without taking chances and failing. Most people and companies for that matter play it safe, and that is no way to change the world. Dream big and make it happen. Why not?

While Jobs died at the too-young age of 56, he lived a few lifetimes. The book presents Jobs’ life chronologically, with quotes from all the major players from the different phases of his life. Some of the most fascinating are from Bill Gates, who actually worked together with Jobs in the 80s to primarily design software for the first Macs. Later when Gates got into the operating system business, that is when their famous rivalry was born. But it seems like near the end, they had a grudging respect for each other. 

The book is well-written and well-organized and is a pretty quick read for 500+ pages. The writer doesn’t sugar coat anything and you get a pretty good sense for what kind of guy Jobs was. Overall, it’s fascinating. I am not even presenting the tip of the tip of the iceberg. To relate something to my blog here, the section where Jobs convinced the big music companies to allow the use of their artists on iTunes is unreal. I don’t think anyone else but Jobs could have pulled it off. Read the book for that section alone… 

And for the record, I typed this on an iMac, while listening to iTunes and syncing my iPod and being interrupted by calls to my iPhone. When this is posted, I’ll read it on my new iPad. Basically, I am a long-time Mac user.

In fact, after Jobs died, I pulled my Macintosh 512k from 1986 out of storage and guess what – it fired right up (see photo at left). That is highly cool. RIP Steve and thanks.

Jimmy Fallon Does It Again - with The Doors

Jimmy Fallon's mind blowing imitation of Neil Young doing a Miley Cyrus song is still one of my top favorite viral vids. But now he's taken on the Lizard King (thanks to Seano for the tip) and it's just too good not to share. What's the material this time? Children's books. An instant classic. Enjoy!

Frehley, Iommi Books Out

I am half way through the Steve Jobs biography and as much as I admire what the man did and love Apple products, wow what a prick! He makes diva rock stars look like Mother Teresa.

Anyway, on the way to my mailbox are new books from Tony Iommi and Ace Frehley that came out this week. I will rip through those once I am done with Der Jobser and will certainly post reviews here.

In the meantime, both Frehley and Iommi are doing the promotional rounds for their respective books and there are some good quotes and stories floating around. Makes me eager to crack these tomes when I get them. Probably will read Ace's book first. Stay tuned!

Steve Perry Journey Interview Posts at MelodicRock.com

Melodic Rock is one of the sites I troll frequently for music news, and I have noted over the years that the guy who runs it is a big Steve Perry and Journey fan, and he has broken some great Journey stories - to me, at least.

He has been trying to land an interview with Perry for years and it finally happened. Please go to the MR site for the whole interview but here are some of the highlights:

On joining the band at the demand of the label:

Well then the label says “We want you to have a singer” and then they went, “Well, I don't know, I don't know.” So, all of the sudden, here comes me, and I think it was a real challenge for all of us to find out what that really meant. They had to let go of doing it their way. I was bringing in ideas; they were growing. But, I will tell you this…being the singer in that environment with them as we were growing together on the Infinity record brought a certain kind of vocal strength out of me that the band required it have. Otherwise, I do not know if I would have ever found that anywhere else.

On re-listening to old Journey tracks for the upcoming Greatest Hits 2 CD:

Emotionally, I had to really listen to the tracks closer than I had in years. It was truly, emotionally extremely painful for me to be perfectly honest with you because I forgot how great Neal was…and I forgot how great the band was. And I think I've gotten away from it long enough to see that. And I forgot some of the things vocally that I used to do. I'm thinking, 'I was out of my mind, what was I thinking?' (laughing), you know?

On the vocal demands of the Journey repertoire combined with the band's grueling tour schedule:

I didn't know what I had left until the next day. And that was the hardest thing to have to explain to the rest of the band members, the neurotic fear that I would be going through because I'm in one city tonight and all I know is I've got to give it everything and I'm not going to skate it. I'm going to put it out there. And I would. And I wouldn't know how much I borrowed from tomorrow's show until the next day. So I'd wake up in the morning in fear. Do I have laryngitis? Is it gone? Is it there? So I would just try to speak on the phone or say something. And then I would be in fear. I couldn't try to sing because it's too early. So, I would just shut up and live in fear for the rest of the day until about 4 o'clock, when it's too late to cancel the show. And now I'm doing the soundcheck, and now, during the soundcheck is when I find out what I have for the night.

On life after the second Journey breakup:

People think, “Steve Perry should be the happiest guy in the world, what problems could he have?” Well let me tell you what problems Steve Perry has. The only problem Steve Perry has is that he's alive just like you are and he has to wake up in the morning like you do and he has to face the world exactly like you do. I'm no different than anybody else. I don't have some special coupon that excludes me from life on life's terms. There is no special coupon. Though, I'll tell you something Andrew: When I was younger I thought that if I could become famous and everybody would love me I would kind of have a special coupon. But guess what? The reality was that after I'd attained that, I realized that I am no different than anybody else. I still have to live life on life's terms. When Journey broke up for the second time...I think it damaged all of us again...From that experience, they went on with someone else. And I went away. I did. I've been gone. I just went away and tried to figure out how to live life on life's terms and just come off the ride...So, I thought in my mind it was better just to run away and not feel any of it. And you know Andrew, that worked for quite a few years but it certainly isn't a way to live life and I do not recommend it! (laughing) I do not recommend running from life, though I needed to. Because the break-up was so painful for all of us. And I'm not saying just for me, goddamnit. I'm saying for all of us. Please, I hope you print this. I want you to print this. The break-up was painful for all of us. But it necessarily had to happen.

You'll have to read the rest of the interview to find out what Perry thinks of the band continuing on with other singers and other topics. It would be cool one day to have Perry reunite with the rest of Journey for one gig, like Pink Floyd did for Live8 or Zeppelin for the O2 gig. But even Steve Perry knows how demanding his songs are to sing, and I wonder if he'd be able to do it justice to himself. Still, how cool would it be to see one more time?

Paul Stanley Has Vocal Surgery

Love 'em or hate 'em, KISS boasts one of the best front men to ever grace the stage, vocally. Paul Stanley's pipes have improved exponentially over the decades and I have always been blown away at his vocal power. Forget that he sings inane lyrics and his oft-laughable stage banter has warranted whole CD collections on the bootleg market.

Put it this way - I can see KISS replacing Gene Simmons some day with some clone they pull from a tribute band or more likely, a well-publicized and promoted reality show a-la Rock Star: Superonova. Hell, they already replaced Ace and Peter! But who could ever replace Paul Stanley? I don't know. You don't agree? Go try to sing Love Gun and get back to me.

Anyway, I had noticed a rasp creeping into his vocals, especially on some tracks on the recent Sonic Boom CD. I thought, well, shit can't they fix that in the studio or have him re-do the vocal?

Guess not. According to reports, Paul had vocal surgery on Tuesday. Per CNN:

KISS lead singer Paul Stanley underwent successful surgery for "recurring vocal cord issues" Tuesday that the musician said Wednesday "come with 40 years of preaching rock 'n' roll." 

His doctors say Stanley, who's been touring and recording with KISS for nearly 40 years, will make a "swift and complete" recovery, according to a statement from his publicist. 

"I hold myself to a higher standard than others do," Stanley said. "With that in mind, I wanted to remedy a few minor issues that come with 40 years of preaching rock 'n' roll."
Here's to a speedy recovery Starchild!

Awesome Live Rendition of Abbey Road Medley

The 'side 2' medley of songs on The Beatles Abbey Road that starts with "You Never Give Me Your Money" and finishes with "The End" has got to be some of the best 16 minutes of music ever recorded. I am not kidding. The collection of little songs span all sort of different styles, and the flow is damn near magical.

The climax of course is a mimi drum solo out of "Carry That Weight" by Ringo followed by traded guitar solos between McCartney, Harrison and Lennon (in that order) and the final "and in the end, the love you take is equal to the love you make" bit. Makes the hair on my arms stand up every time.

There is a group of musicians called the Fab Faux that includes Will Lee, bass player in David Letterman's Most Dangerous Band. I had read about this group and how obsessive they are with recreating the sounds on The Beatles albums down to using the same kinds of amps and guitars.

My friend nedmusic passed on this truly gorgeous video of the Fab Faux doing the Abbey Road suite live in the studio last year. It is remarkable, and what is truly awesome is the vocal work. They really, really have those vocals nailed and if you believe what you read, there are no overdubs here - it's all live. Enjoy!


The Fab Faux - Abbey Road Side 2 (mostly) from The Fab Faux on Vimeo.

Roger Waters and Foo Fighters Rock Jimmy Fallon

I am a bit on the fence with all this remastered Pink Floyd stuff. I mean, I already re-bought all of it a few years ago. How much better can it sound? And I am not an audiophile to the level that appreciates the "James Guthrie 5.1 Surround Mix in high resolution audio at 640 kbps" version found on the Immersion Set at more than $100.

But it is always great to see bands like Floyd get exposure to the level that might introduce the music to new generations. This remaster thing is all about that, I think.

Along those lines, Floyd fan(atic) Jimmy Fallon is trying to make up for his atrocious Roger Waters interview by hosting "Pink Floyd Week" and having Waters return the other night to talk a bit but to more importantly jam In The Flesh with the Foo Fighters.

Very powerful indeed, as the below video will attest. Also interesting to hear the song isolated from the rest of the album, where you realize it's a series of totally pummeling riffs with really only one verse! What do you think:

New Neil Peart Video Coming - Preview Clip

I am not a drummer but I do love the deconstruction of songs and checking out separate parts, especially drum parts. So I think I have a big treat coming up soon with Neil Peart's next DVD, called Neil Peart Taking Center Stage: Lifetime of Live Performances.

If you are a Rush fan, read this preview from Amazon and tell me you just didn't get a boner:

Neil's Peart's new 3-disc DVD set, Taking Center Stage: A Lifetime of Live Performance, is the most in-depth insight into Neil s body of work ever documented. Filmed in various locations over the course of a year, Neil takes you on a behind-the-scenes look at Rush's 2010-11 Time Machine Tour. Beginning with a visit to his personal pre-tour rehearsals, Neil shows the ways in which he prepares for the upcoming tour. The viewer is then transported backstage at a Rush concert to see the drum setup, soundcheck, and an unprecedented backstage interview where Neil explains and runs through his warm-up routine. Neil then presents a detailed look at every single song in the Time Machine set list (which includes the entire Moving Pictures album). For each song, key grooves and fills are analyzed by Neil. Full-speed and slow-motion drums-only demonstrations are included, coupled with PDF icons that allow the viewer to analyze and practice the patterns using the included PDF eBook. At the end of each song discussion, the viewer is transported onstage to a Rush concert to see the actual live performance of the song from the perspective of the drum cameras only (with an exclusive, custom audio mix that features the drums heard slightly louder than a normal concert DVD mix). With in-studio rehearsal footage, backstage scenes, live concert performances, and breathtaking interview footage filmed in Death Valley National Park, California, this package documents not only Neil s approach to live performance, but of the very essence of his drum style, on all the classic Rush songs...

Just saw on RushIsABand.com that there is even a teaser video, so here you go. This comes out October 14. Holy crap.
  

CD Review - Yes - Fly From Here

I've been listening to Yes’ new album Fly From Here on Spotify (so I didn’t have to buy it – ha ha) and it has grown on me after a few listens.

The key to me really embracing this album was to not worry about what version of Yes this was, should it be called Yes, etc. Once I got over that and really started listening, I started enjoying it.

Aside from its prog-rock excesses, Yes’ hole card has always been its vocals.

The Drama album showed that Squire has a huge part in Yes’ vocal sound, as do one-off tracks like Does It Happen from Magnification and stuff like Leave It from 90125.

Fly From Here also puts a spotlight on the vocals, and whatever you think about Benoit David as a Jon Anderson replacement, his voice sounds really good on this record, especially when paired with Squire.

The band is still clearly thinking that vinyl is still around, because the first ‘side’ is a 20-minute, six-song piece called Fly From Here. The Fly From Here chorus, which appears off and on in the six song suite, is very catchy with lush vocals and a gorgeous vocal arrangement. The music is very good as well, with some nice slide work from Howe, and killer classic ascending Squire bass riffs.

Geoff Downes brings a tasty, textured flavor back to the band, and it’s honestly nice to not have a ‘shredder’ on the keyboards, crapping all over the songs (sorry Wakeman/Moraz fans). Only part four of Fly From Here, the “Bumpy Ride” song, is cringe-worthy. Think Teakbois but not as irritating.

‘Side two’ is made up of five stand-alone songs, the first sung by Squire, called The Man You Always Wanted Me To Be. Very nice, catchy tune – the outro has a great groove and some cool repeating vocal calls. “Life On A Film Set” borrows its verse vocal melody from America’s “Tin Man,” which is a bad idea but the song gets interesting when it goes to 5/4 time in the second half. There is an obligatory Steve Howe acoustic piece that as usual is really good.

My favorite song on this album may be the very pretty acoustic song Hour of Need – the one song I could actually hear Jon Anderson signing. It sounds like part two of Nine Voices from The Ladder but it’s really nice. Great chord changes, again solid harmonies and Downes shows he can still do some quick keyboard runs when he wants to. The album closes with Into The Storm, a good song that would probably smoke live – soaring vocals on this one. A lot of this CD would be really good live, now that I think about it.

Let’s be clear – there is nothing edgy about this album. It’s very ‘easy listening’ but enjoyable. Sadly the drums are practically non-existent. I love Alan White but he’s slowing down on his chops for sure. Or – shock – actually playing for the song. But he has always been able to add a cool twist to a straight song, all the way back to Lennon’s Instant Karma, and there’s none of that here. Anyone looking for Gates of Delirium or hell even Changes will be disappointed. The drums even seem kind of buried and the overall mix is ‘light.’ Not sure whose fault that is because certainly producer Trevor Horn is well-qualified.

Fly From Here will be seen as an interesting footnote in the band’s career, and fans of the band’s oddball tangents like Talk, The Ladder and Magnification will probably enjoy this one as well. Just open your mind a bit and give it a chance, and put down the baggage first.

Here is a so-so promo video for the album. Interviews are not great and the song they chose to back most of it is that annoying one I don't like, but it's worth a watch:

Neil Peart Jams With Stewart Copeland, Les Claypool, Danny Carey

What does a drum God like Neil Peart do when he's off the road? Well, he goes to Stewart Copeland's crib, meets up with fellow drum God Danny Carey (Tool) and Les Claypool and lays down some of the weirdest non-Rush music possible.

Brace yourself, the below video is not going to blow you away. It's more like Mother from Synchronicity than Cygnus X-1, but it's wild to see Neil and Stewart together, knowing how much The Police influenced Rush in the 80s. I guess it makes sense but I don't think I have ever seen those two in the same room, much less in a free-form jam situation.

Would have been interesting to be a fly on the wall but this video edit is close. Enjoy!

Yes Release First Video in More Than A Decade

Yes has released its first Jon-Anderson-less album since 1980's Drama, called Fly From Here. The Drama connection doesn't end there. Fly From Here was a song written by the 1980 Drama-era lineup of Trevor Horn (vocals instead of Anderson), Steve Howe, Chris Squire, Alan White and keyboardist Geoff Downes. The band decided to dust it off some 30 years later and make it the centerpiece of this new release.

This 2011 Fly From Here lineup has that very same personnel list as 1980's Drama, but with vocalist Benoit David instead of Horn - but get this - Horn produced the album. So I was not shocked to check out this first single, which is a short version of the almost 20 minute, six part version of Fly From Here on the new album, and conclude that it sounds a hell of a lot like the Drama lineup.

Benoit David sounds much more like Trevor Horn than he does Jon Anderson. Now personally, I love Drama - it is one of my favorite Yes albums. So it is cool to hear this 2011 Yes sounding a lot like the 1980 Drama Yes, mostly because of Downes' keyboard sounds and the vocals. Checking out the iTunes samples, it is nowhere near as heavy as Drama, but you can tell it's the same band.

The video is OK. You don't see any band members but you do see Trevor Horn on the airplane (white haired gentleman with sunglasses and hat) and at first glance I thought the flight attendant in blue was Chris Squire in drag. Agh!

Also, I can't help but wonder if the whole video is a metaphor for the band's career? Anyway, check it out and see what you think. I may just get this CD and review it here. Never thought I'd do that - pretty much done with Yes for a while now - but I like what I am hearing.

Jimmy Page Launches Website

It's hard to fathom that it is 2011 and Jimmy Page has never had an official website until now. But Page said as reported in a Classic Rock post, “I’ve had the domain name for a number of years. I’ve just been sitting on it and a number of people had made approaches about setting something up and it got to a point that it felt it was the right time to put the website together.”

In addition to the usual photos, discography, tour dates and news that you'd find on a musician's website, Page is tapping his extensive archive to run a daily feature called On This Day that shows what he was doing on such and such a day in 1978 (worshiping the devil, for example), offer a rare audio or video clip etc.

The article says, "This is a daily diary of events spanning his entire career. It will include footage, audio clips, unseen photos, plus previously unreleased tracks, demos and home recordings. There will also be personal anecdotes. But be warned: each entry will be up for just 24 hours and then will permanently removed. There’s to be no archiving."

Page also launched a Twitter alias at @jimmypagecom but I can only imagine he has an admin running it.

In other Page news, he joined the Black Crowes last week in the UK for a rousing encore of Shake Your Money Maker. Dig that here:

Concert Review - Rush - Portland Oregon - Time Machine Tour

I was not going to review this Rush show since it was the exact same setlist as the show I reviewed last August. As you can see, I took loads of photos and video that time but this time decided to not even bring in the camera, so I could just enjoy the gig without worrying about capturing it. I knew it would be the same show but I wanted to catch it anyway because this tour has been so great.

The August show was the 15th on the tour, and this was the third to last, so I was interested in seeing how things might have developed over the last year on the road. I did the same thing with The Police reunion, catching the second or third show on that tour and one near the very end. In that case the band was very, very rough at that first gig and was obviously still working out arrangements and even the keys of the songs. At the second, they were super tight.

Well, in Rush’s case they were tight both shows. I am not sure which one was better to be honest. They were visually stoked to play The Camera Eye on the front end of the tour and I think Alex Lifeson’s solo was better at that first gig. But I have to say, Geddy was on fire in Portland, jumping around and hitting every note – and I mean EVERY note. How he keeps his voice in shape on a long tour like this is beyond me.

While Neil Peart looked tired, he played great and my friend Dave who has seen Rush a million times thought the center section of Freewill might have been the best he’d ever seen.

So yes, same setlist, same awesome band. For me the highlights were Marathon, Subdivisions, all of Moving Pictures, which was still AWESOME to see live all the way through, and the new stuff – Caravan and BU2B. They were really fired up to play these new songs.

I still think the setlist was weird. Time Stand Still and Presto were not great choices for second and third place but whatever. Overall this tour was a real treat and I am looking forward to the DVD that will likely come from the Cleveland appearance.

In the meantime, here is video I shot at the show last August:

CD Review – Ozzy Osbourne – Diary of A Madman, Blizzard of Oz

I didn’t think I’d review these CDs but I do feel the urge to post something. Basically, I had not bought the previous versions on CD because of the atrocious decision by Sharon Osbourne to replace the original bass and drums by Bob Daisley and Lee Kerslake in 2002 with new recordings by Robert Trujillo and Mike Bordin who were in Ozzy’s band at the time. Daisley and Kerslake had sued Osbourne for unpaid royalties and this was Sharon’s big F-U.

I read that the new versions in 2002 sounded horrible, and I just couldn’t support that decision anyway. I mean, who does that? Would Pete Townshend go back and replace all of John Entwistle’s bass parts on Quadrophenia if the former Mrs. Entwistle sued Pete for more money? God I hope not.

Or maybe is was continued business genius on Sharon’s part, who let’s be fair saved Ozzy from certain death to forge a very successful solo career with her firmly in charge. Maybe she knew people would buy these discs twice – once in 2002 and again when the original music had been restored.

Well, I didn’t. But I did get these new remasters and I have to say, I am impressed. I actually hadn’t listened to these two releases all the way through in years, due to the aforementioned issue of not being able to get a good version on CD. They stand up very, very well over the years. The songs are Ozzy’s best by far and stand up against a lot of 70s Sabbath if you ask me.

Whose responsibility was that? Guitarist Randy Rhodes.

Now, I was always the first guy in high school to dismiss Rhodes as a totally overrated guitar player who only got so famous because he burned up in a plane crash. But I have to say, hearing these CDs with fresh ears gives me a whole new take on the young man.

While all the tracks on Blizzard are credited to Osbourne, Rhodes and Daisley, and the same plus Kerslake on Diary (result of the aforementioned lawsuit), I can only imagine Ozzy and Randy sitting down to put these tunes together. Rhodes had fantastic musical ideas and Ozzy somehow put together lyrics that spoke to what was going on in his life at the time.

With a lot of stuff, the image outshines the music – but get rid of those lame album covers of Ozzy looking crazy and you have a collection of fantastic songs – I Don’t Know, Crazy Train, Over The Mountain, You Can’t Kill Rock and Roll, Flying High Again, Diary of A Madman, Mr. Crowley, Tonight. I mean come on, that is a seriously good two-album run of classic tunes.

Blizzard of Oz is a great solo debut, but Diary is an even better CD than Blizzard – the songs are more developed and Rhodes’ music ranges from heavy to classical. And on the reissue, you get a bunch of live tunes from the Blizzard tour. This is where Rhodes really shines.

Pretty sure this is the classic Ozzy, Rhodes, Rudy Sarzo, Tommy Aldridge lineup on these live songs. I have no idea how much of it was cleaned up in the studio, but Rhodes’ performance is pretty spectacular. Made me realize, for better or worse, that all those 80s hair metal guitar players were not trying to be Eddie Van Halen – they were trying to be Randy Rhodes.

I mean, you can’t really do EVH – he is one of a kind. But Rhodes took Eddie’s tapping and whammy bar dives, made them his own and added that classical scale shredding thing that became mandatory in every heavy band in the 80s. Which sucks, because most of it was crap – just an exercise in how fast you could play a scale. But it came from Rhodes who actually used it well and put some soul into his playing overall.

Ozzy’s voice is strong on these two albums and as I said, the songs are true heavy rock classics. It reminded me that outside of the bickering between parties, what a win-win that happened when Ozzy got kicked out of Sabbath. We got Rhodes-era Ozzy, and we got Dio-era Sabbath. With Dio’s death and the recent Heaven and Hell concerts and releases, it’s been great reliving and enjoying that Dio Sabbath. But now we can go back and refresh our memories on what Ozzy was doing between pissing on the Alamo, eating bird heads in board meetings and snorting ants. He was making great music with Randy Rhodes.

Neil Peart Interview on CBC's Strombo

Neil seems to be getting more out of his shell with the media these days, and the below video is a pretty insightful interview - I guess this is a preview and the full interview will run tonight (Friday June 17) on CBC at 11:05 PM ET. Great questions from George Stroumboulopoulos too, which is refreshing.



Also, in this clip from early June, Neil goes over Moving Pictures track by track with George! Glorious!

CD Review - Blackfield - Welcome to My DNA

It’s rare these days when I get totally geeked up about a new band (new to me anyway) and feel compelled to share but I have been totally blown away by the band Blackfield’s new CD Welcome to My DNA.

Now technically this is not a ‘new’ band to me, because it’s Porcupine Tree front-man Steven Wilson’s band, co-led with Israeli musician Aviv Geffen. On Welcome to My DNA, the band’s third release since 2000, Geffen wrote all of the songs except for one, so it’s really his vision. But Wilson, who sings a lot of the songs, brings that crisp, lush Porcupine Tree production to the whole affair.

I was actually pretty shocked to find that Geffen wrote all of these songs because the vocal melodies are so Porcupine Tree – just gorgeous vocal melodies with the PT Steven Wilson harmonies. The themes are similar as well – alienation, loss of innocence etc. The difference is that all of the 11 songs clock in between 3 and 4 minutes except for the title track, which is just over five minutes. That is a radical departure from Porcupine Tree and makes for the best of both worlds – concise songwriting plus the Porcupine Tree lushness I love. The songs are also not quite as heavy as many PT songs - rather, they are cut from the same cloth as Lazarus from Deadwing, if I had to make a comparison.

In an interview, Wilson said: Porcupine Tree would never be so focused on the art of a 3 minute pop song. Blackfield is all about the art of a great tradition pop song of verse-chorus-verse-chorus. Porcupine Tree has never been about that, although we have fraternized a little bit with the art of pop music. Porcupine Tree has always been more about horizontally complex long pieces and the album is an overall piece rather than lots of little pieces... Aviv is not a big fan of heavy music and he is not a big fan of long pieces so immediately the meeting point had to be somewhere where we were both focused on short melancholic songs.

So my take is that Blackfield songs are not pop songs, but Steven’s point is accurate otherwise. Short songs do not equal “pop,” nor do songs that have verses and choruses! But I do have to say that after just one listen to DNA I was totally hooked. I have listened to this CD more than 10 times since Sunday and I am very stoked to check out the band’s previous two releases.

Here is the first track, called Glass Houses. If you like this song, you will love this whole CD. Get it:

Neil Peart Drum Solo on David Letterman

Neil Peart made an unorthodox network TV appearance on Thursday, on David Letterman. Reports from the taping were that Peart was nervous and dropped his sticks twice in the middle. But they had him re-do it after the audience left and presumably the below is a combo of the two. Regardless, the man is a fuckin machine and here you go! Can't wait to see the band in Portland later this month.

Jimmy "Neil Young" Fallon Joined By Crosby and Nash

Props to nedmusic for turning me on to this. Jimmy Fallon has been doing these dead-on Neil Young impressions for a while now, but this one takes the cake. He does a song by Miley Cirus a la 70s Neil and has fuckin David Crosby and Graham Nash come out to harmonize. Not only is his version of Neil so creepily accurate, but Crosby and Nash laying on gorgeous harmonies makes me think this is the best Neil has sounded in a long time! Ha ha. Below is the clip, and below that is the song they are actually covering.

Paul McCartney Digitizes A Lifetime, Puts It In HP Cloud

It's well-known by Beatles fans that John Lennon agreed to film and record most of his life, long before reality TV and Big Brother. The treasure trove of audio and film was tapped for the fantastic Imagine movie, as well as the Anthology series, which used loads of interviews from John's life to match the volume of fresh interviews from the other three guys, all of whom were alive at the time.

But you know who else kept the cameras running, and for much longer? Paul McCartney. And now, McCartney's lifetime of home movies, videos, photographs, documents, unreleased music, paintings and numerous other items will be stored in perpetuity on a new private cloud system designed, built and maintained by HP, according to this eWEEK article.

According to the article:

McCartney has been one of the world's most-renowned entertainment content creators for two generations. Like many people, his personal collection has been stored all these years on old-school media that's considered at risk.

"This is quite an undertaking, and the process is ongoing--and will be for awhile," Scott Anderson, HP's entertainment marketing manager, told eWEEK. "We believe there are more than 1 million assets in this library; there are shelves and shelves of boxes containing all sorts of things, personal and business. It all will eventually be digitized."

"He [McCartney] is one of the most prolific artists of all time--he's got thousands of hours of videotape that's been taken through his career; he's got artwork, he's got his music, of course," Anderson said. "Much of it is on media that's susceptible [to physical damage]." McCartney was looking for a company "that he could trust to work with him to preserve his unique assets," Anderson said.

The article also discusses the possibility of McCartney opening access to parts of this vast library to the public. I for one will be happy to roam those halls! You?