I was poking around the blogosphere last night and came across this video at Mr. Mike's Media Madness. It's this chick singer, Orianthi, and of course because she is hot I had to click on the video. What I heard was your average Avril Lavigne The Matrix chick pop song but then all of a sudden this shredding guitar came in and I realized it was coming from the fingers of Orianthi herself.
OK, so aside from the fact that the shred and this song do NOT go together, I thought it was very cool that this woman is such a fine guitarist. And damn it, if she turns a bunch of Miley-loving tween girls onto shredding guitar, then God Bless Her!
Also, according to Wikipedia, she was Michael Jackson's lead guitarist and "was present on all rehearsals for his This Is It tour before his death...She appears in the film This Is It, which chronicles the rehearsals for the tour" and is raking in loads of cash. Further proving that if you want a career pop, all you have to do is die.
OK, this is too funny. Someone carved up the audio-only track of David Lee Roth singing Running With the Devil and made a soundboard out of it. Go to this site and click around. I think the photo they chose it perfect too. Claaaasic!
I picked up the new The Swell Season CD today, called Strict Joy. I got the deluxe edition, which has a second CD of live tracks from the last couple of tours. A total of 32 tracks - 13 make up the new CD and 19 are live tracks.
A quick glance at the writing credits of the new songs betrays that this is more of a Glen Hansard album. Marketa Irgolva only has a couple of writing credits. But her voice and piano are very present, and the harmonies are still sweet.
The album opens with a couple of good, solid upbeat tunes (Low Rising and Feeling the Pull). Not until the third song (In These Arms) do we get a song that sounds like the Once soundtrack, with Irglova harmonizing with Hansard over soft acoustic progressions. These three songs were released over the last couple of months as singles on iTunes but this is the first time I had heard any of them.
The fourth song, The Rain, comes back up in tempo with full band and impassioned relationship-based lyrics from Hansard.
In fact, relationships seem to be the theme of this album and there doesn’t seem to be any effort to hide the fact that it’s a very Fleetwood Mac-ish break-up album. The songs are loaded with references to the on-again off-again nature of Irglova and Hansard’s relationship. Lots of songs about longing, people.
But where the Once soundtrack and The Swell Season CD are mostly softer, acoustic based discs with a couple of rockers, Strict Joy is a better balance.
Not knowing anything at all about these two (except for the movie) when I saw them the first time live, they were mostly acoustic and quiet, which is what I kind of expected. The second time through, however, Hansard had most of his band The Frames with him, and they did lots of really upbeat, rocking numbers. Some of The Frames tunes like Fitzcarraldo were fairly face-melting. That rocking side of the band comes through more on this disc.
A good example is High Horses, which starts out as an arpeggiated, repeating piano riff but really takes off at the end with full band coming in and bringing the energy level waaaaay up. This one will be on par with Fitzcarraldo live. The Verb does something similar structurally, with some very nice call and response vocal trade offs and a great build at the end with a nice use of strings.
Irglova’s two songs are strong. Fantasy Man is pretty obviously about Hansard and is well done, with dare I say an Eastern European vibe to it (it would make sense, since that is where she is from). I Have Loved You Wrong is the standout here. I remember seeing this one live and thinking, what the hell is this song? It’s a very trancy song, with a repeating bass line and very tasty piano noodlings. But the repeating vocal bit that takes the song out was mind blowing live, and although it is understated on this version, the song is done really well on this disc. Might be her best song.
Suffice it to say, if you like the music from the movie Once, and/or the first Swell Season album, you’ll love this. And if you dig The Frames, you’ll probably like it too. I am still discovering that band, so I don’t have a ton of insight there. But the new material picks up where the last left off, with enough familiarity to link it to the previous work but also with enough of an evolution so that you don’t feel like you are listening to a re-hash.
There really isn’t a bad track on the CD although the last two songs are a bit sleepy, although very pretty - especially the outro to Somebody Good, which closes the CD with some gorgeous vocal harmonies between Hansard and Irglova. A nice way to wrap up the CD.
And of course you get what amounts to a full live CD as a bonus of you get the deluxe edition. Which is nice.
I noticed today that my favorite bootleg site, T.U.B.E. (stands for 'the ultimate bootleg site') had been taken down. This periodically happens to boot sites but this was a big blow. And based on the spike in traffic to my earlier post on T.U.B.E., it looks like I was not the only one freaking out.
Well, happily, they are back up here and here. And there is a Facebook page too, which I didn't know about. Praise Jesus. Go forth and downloads boots.
The big buzz the last couple of months has been about this new 'super group' with John Paul Jones (Zeppelin), Dave Grohl (Foo Fighters) and Josh Homme (Queens of the Stone Age) called Them Crooked Vultures.
The band went from a kind of a "guys Dave Grohl would love to form a band with" rumor to an actual act that played a few small shows to massive acclaim leading to the aforementioned buzz. Rumors of an album circulated.
Three interesting nuggets came to my attention today:
1) The new album is indeed happening and will be released November 17. You can see the track listing for it here.
2) The band will play some shows in the States and is scheduled to play the Roseland Theater right here in Portland on November 22. All the dates here.
3) The band issued its first single from the album on YouTube today. Sounds pretty rocking! Check it out:
It recently came out that Richard Wright who passed away last year was worth about $26 million, and he left the lion's share to his children, James, 42, Gala, 39, and Ben, 17. None of Wright's three former wives were mentioned in the will. But none of them have contested it, because presumably they were taken care of with divorce settlements.
Here is a cool bit: Wright also made arrangements for 'a really good party' to be held for his friends - putting aside $30,000 with a guest list to be drawn up by James and Gala.
Dang - I was not on that guest list! Didn't they know I am in a PF Tribute Band!!!???
Yeah this blog is mostly about music. 98 percent, probably. So it takes a funny site to make the blogroll, like Candy Gurus or the site with the incorrect uses of quote marks.
Along those lines, I just was turned onto this hilarious site, Cake Wrecks, by my wife's cousin. It logs cakes that have gone horribly bad. Pretty funny stuff - peruse at will.
This is a "sort of" review because a buddy loaned me just the bonus DVD and I have not seen the actual concert DVD. This bonus DVD is loaded with songs from other gigs on the tour and a very good film about the On An Island tour in general. I wanted to suggest watching this bonus DVD for a few reasons:
--There is a very interesting encounter with Roger Waters that is captured on film. This is after the Live 8 reunion but they sure still don't seem very comfortable around each other.
--The film reinforces what I already thought, which was that On An Island is a return to pre-Dark Side Pink Floyd, mood-wise. The tour is also a showcase for Rick Wright, who plays better than ever and is shown in the most light-hearted manner I have ever seen in a film. He always seemed cautious and guarded but not here. Given that he dies the next year, it's a bittersweet observation but still worth watching.
--The guest appearances are very interesting. David Bowie, Nash, Crosby etc. Makes me want to watch the actual concert to see how they performed. The backstage stuff in the bonus film is fun. Bowie is a kick.
--Gilmour comes off as a very cool dude. For example, at some point on the tour, people start futzing around with playing wine glasses at a restaurant. One thing leads to another and some of the band plays the keyboard parts to Shine On on wine glasses at a festival gig in front of thousands of fans, as a dare by Gilmour, and it takes a life of its own from there.
Gilmour also decided to bust into On The Turning Away at a show, but fails to tell the rest of the band, some of whom have never played the song before. Hearing a bootleg of it recently, it's classic. Gilmour forgets the end of the second verse and starts laughing on the mic. Come to think of it, like Iron Maiden with A Matter of Life and Death, Gilmour decides to do his whole new album live on this tour, despite the fact that everyone wants to hear old Floyd hits. He busts out oldies like Echoes, Fat Old Sun and Wots...Uh the Deal. Good for him. Very few bands have the balls to do that. Porcupine Tree is doing it now with their new album The Incident.
Anyway, this has been out for a while but if you haven't seen it and you dig Gilmour or old Floyd, check it out. It's a good bookend with the Live at Gdansk CD/DVD from the end of this same tour, which I reviewed here.
U2 have announced that their upcoming concert at the Pasadena Rose Bowl in California on Sunday will be streamed live in full and free of charge on YouTube.
Paul McGuinness, the band's manager, said that the band has wanted to broadcast a gig in this way for sometime. "It's the perfect opportunity to extend the party beyond the stadium."
You'll be able to see the show at http://www.youtube.com/u2 at 8:30 PM Pacific Time.
I know I post too much KISS stuff on this blog but I couldn't hold back on this one. Original drummer Peter Criss announced this month that he overcame breast cancer last year. Huh? Breast cancer? Yep, guys can get it too.
Seems that Peter noticed a suspicious lump and had it checked out and removed, and it turned out to be cancerous. He is currently cancer-free but is taking advantage of Breast Cancer Awareness Month this month to get the word out that yes guys have a small amount of breast tissue and can indeed get breast cancer. Rare, but it happens.
CNN tells Peter's story well, and has some good commentary by the man himself such as, "It's just important -- just go get checked out. It's not like you're going to lose your manhood."
I actually had a lump in a pec a couple of years ago and went to get it checked out. It was nothing and it went away by itself but at that time I learned that guys can get breast cancer. I was slightly freaked out when they slammed my meager tit into the mammogram machine but it beats dying, you know?
Anyway, good for Pete for having the balls (and tits) to speak out on this issue. It's no joke.
In addition to blogging and having an actual job, I play guitar and sing in various bands. One of the more fun and long-standing is The Floydian Slips, an 8-piece Pink Floyd tribute band.
We have been playing shows for the past 12 years - usually one or two a year, as they are big production deals. Also, most of the other folks in the band are full time musicians and getting a date that works for all of us, plus the crew and venue, is sometimes a challenge.
But it all came together last Saturday and we did a pretty decent show at the McDonald Theater in Eugene. The first set was a little challenging, as the computer with the samples for Money, Time, the front of Wish You Were Here, the end of Fearless etc went down and we had to wing it. Musically, that was OK but we had to have these quick conversations among ourselves onstage, which is never a good thing in front of 1,000 people.
Second set crushed, though, with the computer working again and all of us determined to overcome the challenges and put on a kick ass show. Below is the set list and videos of some of the stronger songs from the night.
Our next show is in February in Eugene Oregon with the Eugene Ballet at the Hult Center. We are playing the Dark Side of the Moon live and they are dancing. That is all I know for now.
Set 1
One Of These Days Set The Controls for the Heart of the Sun Money Fearless Have A Cigar Wish You Were Here Echoes Time Great Gig in the Sky
Set 2
Pigs on the Wing Part 1 Dogs Pigs (Three Different Ones) In The Flesh? The Thin Ice Another Brick in the Wall Part 1 Happiest Days of Our Lives Another Brick in the Wall Part 2 Mother Goodbye Blue Sky Young Lust Hey You Comfortably Numb
encore:
Shine On You Crazy Diamond Learning To Fly Run Like Hell
In the 'why have I never seen this file?' falls this VH1 clip of an all star group doing While My Guitar Gently Weeps. It's the usual suspects Tom Petty, Jeff Lynne etc, with Harrison's son on acoustic.
But get to 3:30 to witness none other than Prince ripping a face melting solo on a Telecaster. Wow. I thought Prince was a total recluse. I have never seen him join anyone onstage for an 'all star jam' but it looks like he was having a blast and his guitar did all the talking here.
I don't know Prince's music very well but I gotta say that when I see shit like this, I am impressed.
KISS’s new Sonic Boom album, released two days ago, made me angry. Why? A few reasons:
1) I had to go to WalMart to buy it. Which started the whole thing off on the wrong foot. I felt dirty going in there and sure enough I wasn’t in the door more than 30 seconds when a lady driving a motorized shopping cart road raged someone who ‘cut her off.’ F bombs were dropped. She scooted off. I immediately wanted to bolt back out the door.
2) The WalMart KISS Korner is a joke. Aside from the CD, there were $6 bags of M&Ms with KISS faces on them, and throw blankets. That was it. Snoooore. In a completely other section, they had all the KISS remasters for $5 a pop, which further angered me as I bought many of them for much more than that when they first came out. Maybe they hadn’t fully stocked the KISS Korner yet, but even the paltry merch that was there just stank of another way for Gene and Paul to get richer.
3) The CD was $12, for the new 11-song disc, a second disc of old KISS songs re-recorded by the new lineup, and a DVD. This was the exact same format for the Journey Revelation WalMart-only release from last year. This didn’t make me angry. I thought the price was great for the package, which is very nicely put together. The artwork is pop-arty and fairly cool and there is a book with all the lyrics in case you couldn’t decipher Gene singing about pussy or Paul signing about living life to the fullest because you are the boss and KISS rocks for you…
4) Popped the CD on in the car. Modern Day Delilah comes on. Still sounds great. This is an absolute KISS classic. Next song – Russian Roulette. Gene tune. Sounds pretty good but yeah he is singing about ‘loaded guns,’ ‘pulling triggers,’ etc and I am not nearly as OK with Gene singing about humping chicks at age 60 than on the 1970s albums when he was actually supposed to be getting lots of tail. Then it was the 1970s and he was about 30 – good man. Now it’s just kinda gross.
5) I wanted every song to be as good as Modern Day Delilah and it wasn’t happening. The songs are catchy, rocking and very well-performed. The new lineup is much tighter than the original band, but this CD is breaking no new ground. Every Tommy Thayer solo sounds like Ace from Alive! He has this down so well that he sounds more like Ace than Ace does. I get angry again and then feel bad for Tommy Thayer because he is just doing his job.
6) Then song 7 comes on and it’s Eric Singer singing, and he sounds gravelly – yeah just like Peter Criss. I get very angry. It made me realize that I am annoyed more than I thought that Paul and Gene replaced Ace and Peter with guys who dress, perform and act just like them. It’s bogus. I do not want to hear Eric Singer sing a song like Peter Criss, even if it is very anthemic and catchy, which it is.
7) Then just as I am calming down song 10 comes on and Tommy Thayer is signing. Thankfully he doesn’t sound like Ace but then I think – this now doesn’t even sound like KISS. What the hell is this crap?
8) The CD winds up with a song called “Say Yeah,” which is another Paul Stanley arena-pleaser. The sum total of the experience is that I want to turn off Sonic Boom and listen to Ace’s album again. Ace broke new ground on his album. He sang about his struggles. He kicked out some killer instrumentals. He took some chances and sang some stuff that was way outside of what you’d expect. Sonic Boom, while for sure is a return to form for KISS, breaks zero new ground. It’s just 11 more catchy KISS songs done by half the original band about the same old crap.
9) OK I know this is harsh – read between the lines here. The songs are good KISS tunes. There is loads of KISS-level passion, meaning Paul Stanley signs the shit out of everything he touches and the band for sure believes in itself on this CD. But it just made me pine for the original band. Shit, I even tolerated Psycho Circus because I could at least pretend that Ace was playing the leads, although it probably was Tommy Thayer!
10) The next day (yesterday), I ran into a guy I talk with at the music store and he too got Sonic Boom, but he loved it. He said I should keep listening and give it another chance. Now that the smoke has cleared from my day one rant, I am indeed liking Sonic Boom better and am appreciating it for what it is, as opposed to what I want it to be. In fact the Paul Stanley song "Never Enough" is growing on me in a big way - excellent chorus in particular...But I thought it would be far more interesting to share my first impressions, which were certainly tainted by my ‘shopping experience.’ Anyway, any thoughts from the peanut gallery? Those who have heard both Sonic Boom and Ace’s Anomaly CDs, which do you like better?
...well, in one store. Wal-Mart. Ugh. I will probably make a run to get it though. I will try and snap photos of the obnoxious KISS Korner display. And of course I will be posting a review this week.
KISS will also be making appearances this week on late night TV:
--Tuesday, October 6: Late Show with David Letterman on CBS 11:35 PM ET --Wednesday, October 7: Jimmy Kimmel Show on ABC 12:05 AM ET
But here is what I want to see again: Ace cranking the amps to 11 at a recent Giants/Chiefs game! He botches a note near the end and seems a little surprised when the bombs start to go off but overall I think this is cool. Go Ace!
When I was about 10 or 11, my brother (who was ten years older) took me to a movie. I remember him being very fired up about this movie and saying I needed to see it because I liked music and guitar so much.
The theater was really far away and the drive took forever. On the way he told me about this new band he thought I would like. It had two kind of cool guys in it, and two sort of nerdy guys – it was Cheap Trick and he was right, I did like them. I also really liked KISS at the time and was getting way into The Beatles. I was still a year or so away from The Stones, Who, Tubes and Police. And puberty.
But he was about to blow my tiny little mind away by taking me to see The Song Remains The Same.
Whoh, mission accomplished, as GWB would have hung in the theater on a big banner. The place was packed. People were smoking dope and being really loud. It was very overwhelming and exciting and my brother turned to me about every three minutes and said, “are you doing OK?”
Of course the main event was on the screen. What a way to be introduced to Zeppelin. Everything about it was huge. The theater sound system was cranked, and I could only imagine why that bearded guy (manager Peter Grant) blew all those card playing dudes (music industry people) away with a machine gun at the beginning of the movie, and that one dude’s head fell off as colored streams of paint fountained out his neck. Huh!?
The music was of course a lot to take in -- 25 minute Dazed and Confused with violin bow solo and Jimmy Page scaling a mountain to meet a wizard-like version of himself, only to be thrown backwards in time back into the womb? Check. Creepy horse-riding highwayman causing general havoc and then returning home to a lovely dinner in his mansion with his family? Check. Insanely long drum solo? Check. Dragon pants? Check. Golden God? Check. Needless to say, I was never the same again.
Thanks, Johnny.
In the same spirit, I took my 10 and 12 year old boys to see It Might Get Loud this weekend. Not to freak them out on some 70s pseudo devil soundtrack, but to celebrate what I have loved and played for more than 30 years – the electric guitar.
The movie was billed as Jimmy Page (there is that name again), The Edge and Jack White getting together to pretty much talk shop and share stories and observations about the electric guitar.
And we got that. But we got more. A lot more.
The movie tracked Page, White and Edge and how they got into the guitar, what was going on in their lives at the time (all three have great stories of struggle and how music helped them respond), and how they have approached the instrument.
I learned a lot from all three but the one guy I didn’t know at all was Jack White. He is a very interesting dude. Youngest of 10 kids, raised in Detroit in a shitty neighborhood. Likes to make things hard on himself for a challenge, to keep things real. Such as, “If the keyboard is three feet away from me onstage, move it to four feet so I have to run over to play it.” I like that. Complacency is not his deal.
Edge’s story is a bit better known but the background on what was going on in the music industry and in Dublin (lots of strife) when U2 started was fairly eye opening.
Interspersed between the individual stories was footage of the three hanging out on a soundstage, talking about guitars and playing each other riffs. Some pretty cool little jams between all three as well.
Some of the cool scenes:
--Page touring us through the mansion where LZ 4 was recorded and showing the room the drums for When The Levee Breaks were recorded, and how he miked them (from the upper balcony) --Edge showing how he uses his various effects and pedals – a gear geek’s wet dream --White writing and recording a song out of the blue on a reel to reel for the movie --The look on Edge and White’s faces as Page breaks into the Whole Lotta Love riff --The three jamming on In My Time of Dying, trading slide solos
Anyway, I highly suggest seeing this film is you are a guitar player. It’s a must see, actually. Not sure it changed my kids’ lives or anything, but they really enjoyed it as well and asked when my next gig was. Gotta love that…
If you haven’t seen it yet, the trailer is pretty representative of the movie:
If RushIsABand.com is to be believed (and they are usually accurate with rumors/news etc), Neil Peart attended the first four Porcupine Tree shows on the west coast (Seattle, Portland, San Francisco, Los Angeles).
Yes, that means the show I saw in Portland! That would have been a trip running into Neil in the shitter, huh? I suspect he was safely watching from backstage but who knows?
According to the rumor, Peart 'rode his bike between shows' with PT guitarist John Wesley. If by 'bike' they mean 'motorcycle,' I would believe it. Otherwise, no way they rode tenspeeds on I-5 between Seattle and Portland.
Alex Lifeson was spotted at the Toronto show at the Queen Elizabeth Theatre as well. Coolio! Starfucking aside, if you can see this show, do it. It's unreal.
I posted about this last year while reading the Neil Young biography Shakey. I have no idea how long this video will be posted so feast your eyes on it while you can. The one I posted last year has been long gone.
About this performance, Neil said:
I don't like TV. Never have. It always sucks and there's nothing you can do about it. You can't just walk on and do 'Rockin' in the Free World,' or you'll look like a fuckin' idiot. To perform that song the way it's supposed to be performed you have to be at peak blood level, everything has to be up, the machine has to be stoked. To do that I had to ignore Saturday Night Live completely. I had to pretend I wasn't there.'
In my original post, I wrote:
A couple of factoids from the book about this clip. Neil worked out with a trainer for an hour and a half right before getting onstage, so he could be in a physical and mental state similar to being at the tail end of a live show.
The drummer, Steve Jordan, had done so much televised work before that he knew he needed to bring the largest cymbals possible if he wanted to be heard. The author of the book says that the band look like 'a bunch of car thieves.'
I find this video so inspiring, I want to go out and form a band to just slaughter songs like this. And Neil was 44 at the time.
This embodies everything I love about Neil Young and for any of my friends who have never understood, just watch the video!
I am not sure what is more amazing about this video - Jimmy Page as a little kid playing on this show, or the horrible interviewer asking weird questions about science. But make sure to watch long enough to catch the second song, Cottonfields, and Jimmy's killer whistling solo. Guess he had not signed that pact with Satan just yet. As Spock would have said, "fascinating..."
My music listening has been focused on three bands for the past couple of weeks: Porcupine Tree (last four studio albums), Ace Frehley (latest album, Anomaly) and The Beatles (all the remastered CDs starting with Rubber Soul). Yeah it’s a weird mix but it keeps by brain moving. Today, I wanted to post some thoughts on The Beatles Past Masters double CD.
They had the concept right with this one. Instead of dividing Past Masters into two CDs like they did in the 80s, they turned it into a double CD set. And since Past Masters is basically all of The Beatles’ singles grouped into one package, it’s kind of like a greatest hits collection too.
You see, back in the 60s, the artists felt that it was a rip off to put the songs they released as singles on their albums too. So, you had to buy Hey Jude/Revolution or Rain/Paperback Writer on a single to get it, and it wasn’t on any of their British LP releases. In the US of A, however, the record company would rob tracks off of the British LPs, combine them with the singles and give us extra "full length" albums like Something New, Yesterday…and Today, The Beatles Second Album etc. I was very confused when the original CDs came out, as they followed the British LP format and none of those weird American compilations were available. But of course it was much better because that is how the band wanted it in the first place.
When the Beatles’ work first came out on CD, Past Masters was how they got those singles into our hands, since they weren’t on any of the British studio albums.
So, anyway Past Masters is a good concept and the remastering as with the other albums sounds killer. Trouble is, on the first disc, the sharpness of the audio betrays that the band was still finding its feet in the studio. Yeah I am being blasphemous. But here it is – for the first couple of albums and the first batch of singles on Past Masters, the band was better at songwriting and singing than playing. The vocals are insanely impeccable from the first verse of the first single, Love Me Do. And all of the A sides of the singles are incredibly well written pop songs, which is why they all went to number one.
But the songs are in very primitive stereo and so the vocals are in one speaker and the band is in the other. As Pete Townshend infamously said in a 1965 interview in the movie The Kids Are Alright, “If you listen to the Beatles backing tracks without the vocals, they are actually pretty lousy.” I think he’s right. Fix the balance on your stereo so you can’t hear the vocals on She’s A Woman. Lennon is all over the place rhythmically, and hits quite a few clams too. It’s actually nice to hear them be so human…
However, the latter half of disc one and all of disc two is really what we buy this set for. Here is where you get the hits like Day Tripper, We Can Work It Out, Rain, Paperback Writer, Hey Jude, Revolution, Lady Madonna, Don’t Let Me Down and The Ballad of John and Yoko. And here is where the remasters once again make the hair stand up on end. This is where McCartney started honing his super melodic bass style and the band pushed the envelope in the studio with distortion, backwards vocals etc. The band is tight and confident with all the time in the world to get it right, where the first CD songs were recorded under record company pressure to get the next single out.
As with the White Album, Lennon’s rhythm guitar really shows through. He had a killer, chunky tone and style that I am only now starting to really appreciate, now that I can hear it so clearly – check Get Back to see what I am talking about. All that chunky playing and those little counter-fills in the chorus is Lennon, as are the solos. Harrison does very little on the song – you can see that on the video from the rooftop concert where this was recorded.
Also, Lennon and Harrison (but I think it was mostly Lennon) had the grungiest rhythm guitar tone on the block, in songs like Revolution and Day Tripper.
I always knew McCartney was (is) one of the best bass player alive. Hearing him this clearly is a pure joy. Just check out Paperback Writer and Rain. Chunky guitars and pumping bass, with those incredible Beatles riffs and vocal harmonies. And I am not sure I have ever even heard the bass part in Lady Madonna. Wow.
Also, as with the White Album, I hear all sorts of stuff that the grooves of vinyl and/or the shitty 80s CDs hide, like little noises on the vocals mics in the beginning of the singalong in Hey Jude, or the band screwing up the words in the overdubbed lyrics to From Me To You and I’ll Get You. I love shit like this.
Bonus? You also get the very funny You Know My Name (Look Up The Number) that sounds just like a Monty Python skit set to music. If you have the album ‘1,’ you already have a lot of these songs. But if you don’t, it’s a great addition to the collection.
Lots of people think that John Lennon's Lucy in the Sky With Diamonds is about acid. The first letters of some of the song's title are an anagram for "LSD," for goodness sakes!
But this was debunked right off the bat by Lennon who said the title was something four year old Julian Lennon named a drawing he brought home from school. Lennon thought it was a beautiful title and used it for the Beatles song.
I have known that story for years but didn't know until today that Lucy was a real person. Makes sense. Little kids draw pictures of their friends at school all the time.
And the sad caveat is how I found out. Lucy Vodden passed away of Lupus at age 46 in London. She was visited by Julian Lennon, who reignited his childhood friendship with her once her illness became serious. Turns out she was not a big fan of the song!
She told BBC Radio in 2007:
"I remember Julian and I both doing pictures on a double-sided easel, throwing paint at each other, much to the horror of the classroom attendant. Julian had painted a picture and on that particular day his father turned up with the chauffeur to pick him up from school."
I play guitar for various Portland bands (colorfield, Flat Stanley, The Floydian Slips). Find out more about me on my Facebook page at http://on.fb.me/mULCrf
SXSW Day Three: Every Band Is A Girl
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I pretty much stayed at Hotel Vegas(Hotel Hot Burrito, Mustache Central)
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I wrote a review of Steven Wilson's new album, *4 1/2 *for the Moshville
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