Pink Floyd keyboardist and co-founder Richard Wright died today at age 65 from cancer.
From the band’s start, to The Wall album, Wright was a crucial, important member of Pink Floyd.
He brought an easy jazzy piano style to the band’s music, but also added fantastic wicked Hammond organ playing and
spacey synths and effects. He was also as much a part of the minimalistic style of the band’s arrangements as anyone. He knew that the space between the notes was as important as the notes themselves.
To me, Wright’s greatest Floyd moments are The Great Gig In The Sky, Us and Them and most of Shine On You Crazy Diamond (all of the parts, especially the last few minutes of the album).
But let’s not forget his voice. Wright provided backing vocals on much of Floyd’s music, up to Wish You Were Here. Then it was more of the
Gilmour/Waters show. But his harmony work on Echoes from 1971's
Meddle is classic Floyd and is a great example of how fragile and dreamy his voice was. You got the sense that he
wasn’t very comfortable singing, yet he was probably the best singer in the group until
Gilmour and Waters got more dominant post 1975
My take is that Wright provided as much of Floyd’s sound as
Gilmour’s guitar and Waters' lyrics – at least up to the Animals album, where he seemed to lose interest, not contributing any new music until the 90s.
Of course this can be as equally attributed to Waters, who slowly squeezed Wright and then
Gilmour out of the band by doing all the writing and then all of the singing. When Floyd came back without Waters in 1987,
Gilmour involved Wright late in the project and he is barely on A Momentary Lapse of Reason – though I saw him on the tour and he was very involved live.
But by The Division Bell, Wright was back in the fold, contributing some really nice instrumentals and a song called Wearing the Inside Out. He also put out a final solo album (
Broken China) that included the song Breakthrough, which he sang on
Gilmour’s solo live DVD
David Gilmour in Concert (below).
While he
wasn’t as vibrant and prolific after 1975, he made a huge impact in the use of keyboards in
prog rock. While Keith Emerson, Jon Lord and Rick
Wakeman played circles around each other in the 70s, Wright was content to play for the song, and that is tougher than it sounds.
I was really glad when Waters buried the hatchet long enough for the band to reunite at Live8 a couple of years ago. They didn't show him much, but when Wright was on camera at the end solo of Comfortably Numb, he was standing up, rocking the shit out of his organ part. Once again adding crucial textures to Floyd's music.
Now I am really glad that reunion happened because along with the Beatles and The Who, death has robbed us of another reunion of one of the biggest bands in history. As recently as last week, Gilmour was saying he was
done with Floyd for good, but now that door is shut for sure.
Weird thing is, when I put my
iPod on random shuffle just now, Floyd’s Let There Be More Light came on. One song out of almost 15,000. Spooky.
The photo is from the LA Times. Below are two nice videos. Enjoy:
Breakthrough (from David
Gilmour in Concert)
Echoes Part One (from Live at Pompeii)